"Of two evils, choose the least. I go to ask for Germain. But, stop," said
the warder, reflecting; "there are only two visitors left; as soon as they
are gone--no more will come to-day, for it is now two o'clock--I will send
for Germain; you can talk more at ease. I can, even, when you are alone,
let him enter into the passage, so that you will be separated by one
grating instead of two; so much less."
"Oh, sir! how kind you are; how much I thank you!"
"Hush! let not any one hear you; it will cause jealousy. Seat yourself up
there, at the end of the bench, and as soon as this man and woman are gone,
I will send for Germain."
The warder returned to his post inside the passage. Rigolette went and
seated herself sadly at the extremity of the visitor's bench.
Thus we have a fine chance to draw the grisette's portrait.
Rigolette was hardly eighteen, of a middling size, perhaps rather small,
but so gracefully shaped, so finely modeled, so voluptuously developed,
that her size responded well to her bearing, fearless and yet modest; one
inch more in height would have caused her to lose much of her grace; the
movement of her small feet, always irreproachably confined in gaiter-boots
of black cloth, with rather thick soles, recalled to mind the coquettish,
light and discreet run of a quail. She did not appear to walk, she merely
touched the pavement; she slid rapidly on its surface. This walk, peculiar
to grisettes, ought to be attributed, without doubt, to three causes: To
their desire to be thought handsome; to their fear of an admiration
expressed in pantomime too expressive; to the desire that they always have
to lose as little time as possible in their peregrinations.
Rigolette's two broad thick bands of shining hair, black as jet, fell very
low on her forehead; her fine eyebrows seemed traced with ink, and
overshadowed large black eyes, sparkling and wicked; her full, plump cheeks
were like velvet of the freshest carnation, fresh to the sight, fresh to
the touch, like a rosy peach impregnated with the cold dew of the morning.
Her little turned-up nose, saucy and cunning, would have made the fortune
of a stage chambermaid; her mouth, somewhat large, with lips of rose well
moistened, and little, white, pearly teeth, was smiling and provoking; of
three charming dimples, which gave enticing grace to her face, two buried
themselves in her cheeks, the other in her chin, not far from a beauty
spot, a little black patch most killingly placed near the corner of her
mouth.
Public-domain text, read in full here on John Shaqi.
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