Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
He swung slowly round, looking about him. The beach was empty. Farther
along it, towards the hotel, a group of bathing-boxes had been erected
for the use of hotel visitors. Less than ten yards from the
turning-point of the footprints, on the other side of the groyne,
Neptune's Seat jutted up from the surrounding sand. It was, as the
inspector had said, like a huge stone settee standing with its back to
the land; and on the flat part of it lay the body of a man. Sir
Clinton bent down and scrutinised the surface of the sand around the
turning-point of the track for some minutes, but he made no comment as
he completed his survey. When he rose to his full height again, he saw
on the road the figure of the fisherman, Wark; and he made a gesture
forbidding the man to come down on the sand.
“Just go up and see if he's got the candles and the blow-lamp,
inspector, please. We may as well finish off here if he has.”
Armadale soon returned with the articles.
“Good fellow, that,” Sir Clinton commented. “He hasn't wasted time!”
He turned and gazed across at the advancing tide.
“We'll have to hurry up. Time's getting short. Another half-hour and
the water will be up near that rock. We'll need to take the seaward
tracks first of all. Hold the blow-lamp, will you, inspector, while I
get a candle out.”
Wendover's face showed that even yet he had not grasped the chief
constable's object. Sir Clinton extracted a candle and lit the
blow-lamp.
“Plaster of Paris gives a rotten result if you try to take casts of
sand-impressions with it,” he explained. “The classics pass rather
lightly over the point, but it is so. Therefore we turn to melted wax
or tallow, and by dropping it on very carefully in a thin layer at
first, we get something that will serve our purpose. Hence the candles
and the blow-lamp. See?”
He suited the action to the word, making casts of the right and left
footprints in the sand from the sharpest impressions he could pick
out.
“Now we'll take Mr. Billingford's track next,” he said, as he removed
the two blocks of wax from their beds. “His footmarks will be the
first to be swamped by the tide, so we must get on to them in a
hurry.”
He led his companions back to the road and turned round the landward
end of the groyne.
“This is where he landed on the road, evidently. Now step in my tracks
and don't wander off the line. We mustn't cut up the ground.”
He moved along the trail, and soon reached the tidal mark, after which
the footprints grew sharper. A little farther on, he reached a point
where Billingford's marks crossed an earlier track—the prints of a
woman's nail-studded shoes.
“Golfing-shoes, by the look of them,” he pointed out to his
companions. “We can leave them alone just now. The tide won't reach
here for long enough yet, so we've plenty of time to come back.
Billingford's the important thing at present.”
Public-domain text, read in full here on John Shaqi.
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