Supper took exactly an hour, and then came another hymn, Ned Wright telling his guests that the tune was somewhat difficult, but that the gallery would sing it for them first, and then they would be able to do it for themselves. Decidedly, Mr. Wright is getting "aesthetic." This hymn was, in fact, monopolized by the gallery, the men listening and evidently occupied in digesting their supper. One would rather have heard something in which they could join. However, it was a lively march-tune, and they evidently liked it, and kept time to it with their feet, after the custom of the gods on Boxing Night. At this point Ned and five others mounted the little railed platform, Bible in hand, and the host read what he termed "a portion out of the Good Old Book," choosing appropriately Luke xv., which tells of the joy among angels over one sinner that repenteth, and the exquisite allegory of the Prodigal Son, which Ned read with a good deal of genuine pathos. It reminded him, he said, of old times. He himself was one of the first prisoners at Wandsworth when "old Brixton" was shut up. He had "done" three calendar months, and when he came out he saw an old grey-headed man, with a bundle. "That," said Ned, "was my godly old father, and the bundle was new clothes in place of my old rags." The country magistrate then came forward, and drew an ironical contrast between the "respectable" people in the gallery and the "thieves" down below. "God says we have all 'robbed Him.' All are equal in God's sight. But some of us are pardoned thieves." At this point the discourse became theological, and fired over the heads of the people down below. They listened much as they listen to a magisterial remark from the bench; but it was not their own language, such as Ned speaks. It was the "beak," not the old "pal." It was not their vernacular. It did for the gallery--interested the ladies and the missionaries vastly, but not the thieves. It was wonderful that they bore it as well as they did. The magisterial dignity evidently overawed them; but they soon got used to it, and yawned or sat listlessly. Some leant their heads on the rail in front and slept. The latest arrivals left earliest. They had come to supper, not to sermon. Another of Ned Wright's hymns was then sung--Mr. Wright's muse having been apparently prolific in the past year, no less than six hymns on the list being written by himself during those twelve months. It is much to be hoped that these poetical and aesthetical proclivities will not deaden his practical energies. This hymn was pitched distressingly high, and above the powers of all but the "gallery" and a very few indeed of the guests; but most of them put in a final "Glory, Hallelujah," at the end of each stanza. Mr. Wright's tunes are bright and cheerful in the extreme, without being vulgar or offensively secular.