Mystic London; or, Phases of occult life in the metropolis — John Shaqi
Mystic London; or, Phases of occult life in the metropolisDavies, Charles Maurice
History
Mystic London; or, Phases of occult life in the metropolis
Davies, Charles Maurice
London (England) -- Description and travel; London (England) -- Social life and customs -- 19th century; Occultism
That New Year's night--for January was very young--the wards, especially
on the women's side, were gaily decorated with paper flowers, and all
looked as cheerful and happy as though no shadow ever fell across the
threshold; but, alas, there were every now and then padded rooms opening
out of the passage; and as this was not a refractory ward, I asked the
meaning of the arrangement, which I had fancied was an obsolete one. I
was told they were for epileptic patients. In virtue of his official
position as bandmaster, Herr Kuester had a key; and, after walking
serenely into a passage precisely like the rest, informed me, with the
utmost coolness, that I was in the refractory ward. I looked around for
the stalwart attendant, who is generally to be seen on duty, and to my
dismay found he was quite at the other end of an exceedingly long
corridor. I do not know that I am particularly nervous; but I candidly
confess to an anxiety to get near that worthy official. We were only
three outsiders, and the company looked mischievous. One gentleman was
walking violently up and down, turning up his coat-sleeves, as though
bent on our instant demolition. Another, an old grey-bearded man, came
up, and fiercely demanded if I were a Freemason. I was afraid he might
resent my saying I was not, when it happily occurred to me that the
third in our party, an amateur contra-bassist, was of the craft. I told
our old friend so. He demanded the sign, was satisfied, and, in the
twinkling of an eye, our double-bass friend was struggling in his
fraternal embrace. The warder, mistaking the character of the hug,
hastened to the rescue, and I was at ease.
Public-domain text, read in full here on John Shaqi.
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