Proceedings commenced with the Caledonians, and it was marvellous to notice the order, not to say grace and refinement with which these pauper lunatics went through their parts in the "mazy." The rosy-faced attendants formed partners for the men, and I saw a herculean warder gallantly leading along the stout old lady in the mob-cap. The larger number of the patients of course were paired with their fellow-prisoners, and at the top of the room the officials danced with some of the swells. Yes, there were swells here, ball-room coxcombs in fustian and felt. One in particular was pointed out to me as an University graduate of high family, and on my inquiring how such a man became an inmate of a pauper asylum the official said, "You see, sir, when the mind goes the income often goes too, and the people become virtually paupers." Insanity is a great leveller, true; but I could not help picturing that man's lucid intervals, and wondering whether his friends might not do better for him. But there he is, pirouetting away with the pretty female organist, the chaplain standing by and smiling approval, and the young doctors doing the polite to a few invited guests, but not disdaining, every now and then, to take a turn with a patient. Quadrilles and Lancers follow, but no "round dances." A popular prejudice on the part of the majority sets down such dances as too exciting for the sensitive dancers. The graduate is excessively irate at this, and rates the band soundly for not playing a valse. Galops are played, but not danced; a complicated movement termed a "Circassian circle" being substituted in their place. "Three hours of square dances are really too absurd," said the graduate to an innocent second fiddle.