acceded to, one hoary-headed old flirt remarking to me as he went by, that he was going to look for his sweetheart. A long series of square dances followed, the graduate waxing more and more fierce at each disappointment in his anticipated valse, and Billy giving out every change in the programme like a parish clerk, which functionary he resembled in many respects. It was universally agreed that this was the best party that had ever been held in the asylum, just as the last baby is always the finest in the family. Certainly the guests all enjoyed themselves. The stalwart attendants danced more than ever with a will, the rosy attendants were rosier and nattier than before, if possible. The mob-cap went whizzing about on the regal head of its owner down the middle of tremendous country dances, hands across, set to partners, and then down again as though it had never tasted the anxieties of a throne, or learnt by bitter experience the sorrows of exile. Even the academical gentleman relaxed to the fair organist, though he stuck up his hair stiffer than ever, and stamped his felt boots again as he passed the unoffending double-bass with curses both loud and deep on the subject of square dances. At length came the inevitable "God Save the Queen," which was played in one key by the orchestra, and sung in a great many different ones by the guests. It is no disrespect to Her Majesty to say that the National Anthem was received with anything but satisfaction. It was the signal that the "jinks" were over, and that was quite enough to make it unpopular. However, they sang lustily and with a good courage, all except the old woman in the mob-cap, who sat with a complacent smile as much as to say, "This is as it should be, I appreciate the honour done to my royal brothers and sisters."