Mystics of the Renaissance and their relation to modern thought, including Meister Eckhart, Tauler, Paracelsus, Jacob Boehme, Giordano Bruno, and othersSteiner, Rudolf
Religion
Mystics of the Renaissance and their relation to modern thought, including Meister Eckhart, Tauler, Paracelsus, Jacob Boehme, Giordano Bruno, and others
Steiner, Rudolf
Mysticism
What rings out to meet us from the works of the Master-Shoemaker of
Görlitz, JACOB BOEHME (1575-1624), sounds like the joyous outburst of
Nature admiring her own being upon the summit of her evolution. A man
appears before us whose words have wings, woven out of the inspiring
feeling of having seen knowledge shining within him as Higher Wisdom.
Jacob Boehme describes his own state as Piety which strives only to be
Wisdom, and as a Wisdom that seeks to live only in Piety: “As I was
wrestling and fighting in God’s behalf, behold a wondrous light shone
into my soul, such as was quite foreign to savage nature; therein I
first knew what God and man were, and what God had to do with men.”
Jacob Boehme no longer feels himself as a separated being expressing
its insights; he feels himself as an organ of the great All-Spirit,
speaking in him. The limits of his personality do not appear to him as
the limits of the Spirit that speaks from within him. This Spirit is
for him present everywhere. He knows that “the Sophist will blame him”
when he speaks of the beginning of the world and its creation: “the
while I was not thereby and did not myself see it. To him be it said
that in the essence of my soul and body, when I was not yet the ‘I,’
but when I was still Adam’s essence, I was there present and myself
squandered away my glory in Adam.”
Only in external similes is Boehme able to indicate how the light broke
forth in his inner being. When once as a boy he finds himself on the
top of a mountain, he sees above him a place where large red stones
seem to shut up the mountain; the entrance is open and in its depth he
sees a vessel full of gold. A shudder runs through him; and he goes on
his way without touching the treasure. Later on he is apprenticed to
a shoemaker in Görlitz. A stranger steps into the shop and demands a
pair of shoes. Boehme is not allowed to sell them in the absence of his
master. The stranger departs, but after a while calls the apprentice
out of the shop and says to him: “Jacob, thou art little, but thou wilt
some day become quite another man, over whom the world will break out
into wonder.” In riper years, Jacob Boehme sees the reflection of the
bright sun in a tin vessel: the view that thus presents itself to him
seems to him to unveil a profound secret. Even after the impression of
this appearance, he believes himself to be in possession of the key to
the riddles of Nature.
He lives as a spiritual anchorite, humbly earning his living by his
trade, and between whiles, as though for his own recollection, he notes
down the harmonies which resound in his inner being when he feels the
Spirit in himself. The zealotry of priestly fervour makes life hard
for the man; he, who desires naught but to read the Scripture which
the light of his inner nature illuminates for him, is persecuted and
tortured by those to whom only the external writ, the rigid, dogmatic
confession of faith, is accessible.
Public-domain text, read in full here on John Shaqi.
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