Mystics of the Renaissance and their relation to modern thought, including Meister Eckhart, Tauler, Paracelsus, Jacob Boehme, Giordano Bruno, and othersSteiner, Rudolf
Religion
Mystics of the Renaissance and their relation to modern thought, including Meister Eckhart, Tauler, Paracelsus, Jacob Boehme, Giordano Bruno, and others
Steiner, Rudolf
Mysticism
It is with such views that Jacob Boehme seeks to fathom that world
which for him, according to the knowledge of his time, was reckoned as
the actual world of fact. For him all is fact which is so regarded by
the natural science of his time and by the Bible. His way of conceiving
things is one thing, his world of facts quite another. One can imagine
the former applied to a totally different knowledge of facts. And thus
there appears before our eyes a Jacob Boehme as he might stand at the
parting of the nineteenth and the twentieth centuries. Such a one would
not saturate with his way of conceiving things the six days’ creation
work of the Bible and the fight of the angels and the devils, but
Lyell’s geological knowledge and the facts of Haeckel’s _The History
of Creation_. He who can penetrate into the spirit of Jacob Boehme’s
writings must arrive at this conviction.[18]
[18] We may here name the most important of Boehme’s writings: _Die
Morgenröthe im Aufgang_; _Die drei Prinzipien göttlichen Lebens
oder über das dreifache Leben des Menschen_; _Das umgewandte Auge_;
_“Signatura rerum” oder von der Geburt und Bezeichnung aller Wesen_;
_Das “Mysterium Magnum_.”
GIORDANO BRUNO AND ANGELUS SILESIUS
In the first decennium of the sixteenth century, the scientific
genius of Nicholas Copernicus (1473-1543) thinks out in the castle of
Heilsberg, in Prussia, an intellectual structure which compels the
men of subsequent epochs to look up to the starry heavens with other
conceptions than those which their forefathers in antiquity and the
Middle Ages had. To them the earth was their dwelling-place, at rest in
the centre of the Universe. The stars, however, were for them beings of
a perfect nature, whose motion took place in circles because the circle
is the representative of perfection.
In that which the stars showed to human senses they beheld something of
the nature of soul, something spiritual. It was one kind of speech that
the things and processes upon earth spoke to man; quite another, that
of the shining stars, beyond the moon in the pure æther, which seemed
like some spiritual nature filling space. Nicholas of Cusa had already
formed other ideas.
Through Copernicus, earth became for man a brother-being in face of the
other heavenly bodies, a star moving like others. All the difference
that earth has to show for man he could now reduce to this: that earth
is his dwelling-place. He was no longer forced to think differently
about the events of this earth and those of the rest of universal
space. The world of his senses had expanded itself into the most remote
spaces. He was compelled henceforth to allow that which penetrated his
eye from the æther to count as sense-world just as much as the things
of earth. He could no longer seek in the æther in sensuous fashion for
the Spirit.
Public-domain text, read in full here on John Shaqi.
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