Mythology among the Hebrews and Its Historical DevelopmentGoldziher, Ignác
Religion
Mythology among the Hebrews and Its Historical Development
Goldziher, Ignác
Jewish mythology; Judaism -- History -- To 70 A.D.
§ 10. We will now continue our contemplation of the contests which the
myth tells of the sky at night, in which we have already seen the dark
sky either conquering or conquered by his brilliant father or brother.
One of the most conspicuous names of the dark sky of night or clouds in
the Hebrew mythology, and containing a rich fund of mythical matter, is
Jacob. Etymologically we have already done justice to him. Now let us
see what the myth has to say of him. He endures hard struggles. His
father, ‘the _laughing_ sunny sky,’ loves him not. The hatred of his
brother Esau drives him from house and home; and at the place where he
takes refuge, he has to struggle against ‘the white one’ (Lâbhân), who,
if not his brother, is at least his near relative, and in the original
form of the myth was perhaps presented as his brother (see Gen. XXIX.
15). We must examine more closely the mythical character of these two
hostile brothers of Jacob. To make short work of it—both Esau and Laban
are solar figures. What we learn of them in the epic treatment of the
old myth found in the Old Testament, presents a multitude of solar
characteristics. We especially note this in Esau, whose _heel Jacob
grasps at their birth_ (Gen. XXV. 26). This mythical expression is in
itself clear enough: ‘Night comes into the world with Day’s heel in his
hand,’ or, as we should say, Night follows close upon Day, driving him
from his place. Nevertheless, we can further confirm this signification
of the mythical expression for the benefit of hesitating doubters by
showing that the same conception is found even in the later Arabic
poetry, where it is doubtless a residuum of an old mythical idea. For
Thaʿlabâ b. Ṣuʿeyr al-Mâzinî[369] says of the breaking of the dawn: ‘The
shining one stretches his right hand towards him who covers up;’ the Sun
puts out his hand towards the Night, grasps him, and pulls him forward,
whilst he himself retires; here therefore it is the same relation, only
inverted. Similarly, the poet al-ʿAjjâj says: ‘till I see the shoulder
of the brilliant dawn, when he springs upon the back of the black
night.’[370] This is spoken in quite a mythical tone, and expresses the
same idea as the Hebrew when he said ‘Jacob holds the heel of his red
brother in his hand,’ only that the Arabic words quoted speak of day
following after night.
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