Wolsey sat for hours in the ruin of his happiness, his breathing alone proving that he was alive, and when at last he arose and went out of the house, there were neither tears nor outcry; he saddled his horse and rode off to the westward. At nightfall he came to the Indian village where he had won his wife, and relating to the assembled tribe what had happened, he demanded that the murderer be given up to him. His demand was readily granted, whereupon the white man advanced on the cowering wretch, who had confidently expected the protection of his people, and with the quick fling and jerk of a raw-hide rope bound his arms to his side. Then casting a noose about his neck and tying the end of it to his saddle-bow, he set off for the Hudson. All that night he rode, the Indian walking and running at the horse's heels, and next day he reached his cabin. Tying his prisoner to a tree, the trapper cut a quantity of young willows, from which he fashioned a large cradle-like receptacle; in this he placed the culprit, face upward, and tied so stoutly that he could not move a finger; then going into his house, he emerged with the body of Minamee, and laid it, face downward, on the wretch, who could not repress a groan of horror as the awful burden sank on his breast. Wolsey bound together the living and the dead, and with a swing of his powerful arms he flung them on his horse's back, securing them there with so many turns of rope that nothing could displace them. Now he began to lash his horse until the poor beast trembled with anger and pain, when, flinging off the halter, he gave it a final lash, and the animal plunged, foaming and snorting, into the wilderness. When it had vanished and the hoof-beats were no longer heard, Nick Wolsey took his rifle on his arm and left his home forever. And tradition says that the horse never stopped in its mad career, but that on still nights it can be heard sweeping through the woods along the Hudson and along the Mohawk like a whirlwind, and that as the sound goes by a smothered voice breaks out in cursing, in appeal, then in harsh and dreadful laughter. THE VANDERDECKEN OF TAPPAN ZEE It is Saturday night; the swell of the Hudson lazily heaves against the shores of Tappan Zee, the cliff above Tarrytown where the white lady cries on winter nights is pale in starlight, and crickets chirp in the boskage. It is so still that the lap of oars can be heard coming across the water at least a mile away. Some small boat, evidently, but of heavy build, for it takes a vigorous hand to propel it, and now there is a grinding of oars on thole-pins. Strange that it is not yet seen, for the sound is near. Look! Is that a shadow crossing that wrinkle of starlight in the water? The oars have stopped, and there is no wind to make that sound of a sigh.