During Sargon's reign Akkad attained to a splendour which surpassed
that of Babylon. In an omen text the monarch is lauded as the "highly
exalted one without a peer". Tradition relates that when he was an old
man all the Babylonian states rose in revolt against him and besieged
Akkad. But the old warrior led forth his army against the combined
forces and achieved a shattering victory.
Manishtusu, who succeeded Sargon I, had similarly to subdue a great
confederacy of thirty-two city states, and must therefore have been a
distinguished general. But he is best known as the monarch who
purchased several large estates adjoining subject cities, his aim
having been probably to settle on these Semitic allies who would be
less liable to rebel against him than the workers they displaced. For
the latter, however, he found employment elsewhere. These
transactions, which were recorded on a monument subsequently carried
off with other spoils by the Elamites and discovered at Susa, show
that at this early period (about 2600 B.C.) even a conquering monarch
considered it advisable to observe existing land laws. Urumush,[148]
the next ruler, also achieved successes in Elam and elsewhere, but his
life was cut short by a palace revolution.
The prominent figure of Naram Sin, a later king of Akkad, bulks
largely in history and tradition. According to the Chronicle of Kish,
he was a son of Sargon. Whether he was or not, it is certain that he
inherited the military and administrative genius of that famous
ex-gardener. The arts flourished during his reign. One of the
memorable products of the period was an exquisitely sculptured
monument celebrating one of Naram Sin's victories, which was
discovered at Susa. It is one of the most wonderful examples of
Babylonian stone work which has come to light.
A successful campaign had been waged against a mountain people. The
stele shows the warrior king leading his army up a steep incline and
round the base of a great peak surmounted by stars. His enemies flee
in confusion before him. One lies on the ground clutching a spear
which has penetrated his throat, two are falling over a cliff, while
others apparently sue for mercy. Trees have been depicted to show that
part of the conquered territory is wooded. Naram Sin is armed with
battleaxe and bow, and his helmet is decorated with horns. The whole
composition is spirited and finely grouped; and the military bearing
of the disciplined troops contrasts sharply with the despairing
attitudes of the fleeing remnants of the defending army.
Public-domain text, read in full here on John Shaqi.
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