Nala and Damayanti and Other PoemsMilman, Henry Hart
Religion
Nala and Damayanti and Other Poems
Milman, Henry Hart
Sanskrit poetry -- Translations into English
[Footnote 46: p. 15. l. 22. _Nala's form might not discern._ The form
of the gods, as it is here strikingly described by the poet, differs
from that of men by the absence of those defects which constitute the
inferiority of a mortal body to that of the inhabitants of the Indian
heaven. The immortal body does not perspire, it is unsoiled by dust,
the garlands which they wear stand erect, that is, the flowers are
still blooming and fresh. The gods are further distinguished by their
strong fixed gaze, and by floating on the earth without touching it.
They have no shadow. Nala's form is the opposite of all these.
KOSEGARTEN.]
[Footnote 47: p. 15. l. 23. _--saw she, and with moveless eyes_. "The
gods are supposed to be exempt from the momentary elevation and
depression of the upper eyelid, to which mortals are subject. Hence a
deity is called 'Animisha' or 'Animesha,' one whose eyes do not
twinkle." Mr. Wilson, in his note to Vikrama and Urvasi, (Hindu Theatre,
i. 237. p. 60.), quotes this passage, and suggests that the "marble eyes
of Venus, by which Helen knew the goddess, and which the commentators
and translators seem to be much perplexed with, are probably the
'stabdha lochana,' the fixed eyes of the Hindus, full and unveiled for
an instant, like the eyes of a marble statue." Mr. Wilson has, I think,
been misled by the words ὁμματα μαρμαἱροντα, which rather expresses the
contrary. Μαρμαἱρω is to glitter, and is applied in many places in Homer
to the gleaming of armour. The μαρμαριγἀς θηεἴτο ποδὤν of the Odyssey is
well translated by Gray, "glance their many-twinkling feet." In Mr.
Wilson's curious reference to Heliodorus (the passage is in the
Æthiopica, iii. 13.) the author appears to write from Egyptian rather
than Grecian notions. He extorts, somewhat violently, a meaning from
Homer's words, δεινὼ δἐ εἱ ἔσσε φἁανθην, which they by no means
necessarily bear; but the analogy is as curious if Egyptian as if
Grecian.]
[Footnote 48: p. 15. l. 25. _On his shadow, garland drooping_. According
to the Zoroastrian religion, one of the distinctions of human beings
after the restoration of all things and the final triumph of Ormuzd,
shall be that they shall cast no shadow; μἡτε σκἱαν παιοὔνταϛ. THEOPOMP.
apud Plut. de Isid. et Osirid. Compare ANQUETIL DU PERRON and KLEUKER,
Anhang zum Zendavesta, i. 140.]
[Footnote 49: p. 16. l. 14. _And the happy pair devoutly_. The
devotion of the silent spirit, the purely mental worship, is the
holiest and most acceptable service to the gods. Compare WILKINS,
Bhagavat-Gita, p. 74; MENU, ii. 85; vi. 235.]
[Footnote 50: p. 16. l. 19. _Agni gave his own bright presence_. Agni
gave him the command of fire whenever he willed. Hutása is a name of
Agni; hut-asa, 'qui sacrificium edit,' i. e. ignis. Bopp's
explanation, 'mundos per Deum Agnem splendentes,' has been adopted as
giving the clearest sense. Varuna gave the command of water.]
Public-domain text, read in full here on John Shaqi.
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