Cattle stealing -- Fiction; Ranch life -- Fiction; Western stories
The sun was at the zenith, marking the time of short shadows,
and its light fell in pale golden washes over the tapestried
green slopes. Tall flowers nodded on slim stalks in nook and
crevasse—frail columbine and flaming bleeding hearts—and mosses
crept in the damp places.
For an hour the two came down along the breast of a ridge, dropping
slowly in a long diagonal, and presently came out on a bold shoulder
that jutted from the parent spine. Here, with the thinning trees
falling abruptly away, a magnificent view spread out below. For a
long time there had been in the rider’s ears a low and heavy murmur,
a ceaseless sound of power. Now its source was visible—the river
that wound between wide meadows spread like flaring flounces on
either side—broad, level, green stretches that looked rich as a
king’s lands, and were.
The woman reined up her horse and sitting sidewise looked down with
moody eyes. A frown drew close the dark brows under the hat brim,
the full sensuous lips hardened into a tight line.
Hatred flamed in her passionate face, for the smiling valley was
tenanted. At the far edge of the green floor across the river there
nestled against the hills that rose abruptly the small log buildings
of a homestead. There was a cabin, squarely built and neat, a
stable, a shed or two, and stout corrals, built after the fashion of
a stockade, their close-set upright saplings gleaming faintly in the
light.
And on the green carpet a long brown line lay stretched from end to
end, straight as a plumb-line, attesting to the accuracy of the eye
that drew it. A team of big bay horses even now plodded along that
line, leaving behind them a tiny addition in the form of a flange of
new turned earth, the resistless effect of the conquering plow.
The plow, hated of all those who follow the fringe of the
wilderness, savage, trapper, and cattleman.
In the furrow behind walked the owner of the accurate eyes—deep,
wide, blue eyes they were, set beautifully apart under calm brows of
a golden bronze which matched exactly the thick lashes and the heavy
rope of hair braided and pinned around the head hidden in an
old-fashioned sunbonnet—for this only other figure in the primeval
picture was a woman also. She was young by the grace of the upright
carriage, strong by the way she handled her plow, confident in every
movement, every action. She stood almost as tall as the average man,
and she walked with the free swing of one.
For a long time the rider on the high shoulder of the ridge sat
regarding these tiny plodders in the valley.
Then she deliberately took from its straps the rifle that hung on
her saddle, lifted it to her shoulder, took slow aim and fired. It
was a high-power gun, capable of carrying much farther than this
point of aim, and its bullet spat whiningly into the earth so near
the moving team that one of the horses jumped and squatted.
The woman lowered the gun and watched.
Public-domain text, read in full here on John Shaqi.
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