Nan of Music MountainSpearman, Frank H. (Frank Hamilton)
General
Nan of Music Mountain
Spearman, Frank H. (Frank Hamilton)
Adventure stories; Western stories
Meantime, to tap the fast-developing gold-fields, the freight route
and stages had been put in, and the barns built at Calabasas. A need
naturally developed for at least one feature of a hotel--a barroom. A
newer lunatic answered the call of civilization--a man only mildly
insane stocked the kitchen range with liquors, and fitted up in a
crude way the ice-boxes--where there never was ice--serving pantries,
and other odd nooks for sleeping quarters. Here the thirsty stage
passenger, little suspecting the origin of the facilities offered him
for a drink, may choose strong drink instead of water--or rather, he
is restricted to strong drink where water might once have been
had--the spring being piped now half a mile to the barns for the
horses. And this shack, as it is locally called, run by a Mexican, is
still the inn at Calabasas. And it continues to contribute, through
its stirring annals, to the tragic history of the continental divide.
It need hardly be said that Duke Morgan laid claim also to the
Calabasas Spring. But on this the company, being a corporation, fought
him. And after somewhat less of argument and somewhat more of siege
and shooting, a compromise was reached whereby the company bought
annually at an exorbitant price all of Duke, Satterlee, and Vance
Morgan's hay, and as the Morgans had small rivers of water in the
mountains, and never, except when crowded, drank water, a _modus
vivendi_ was arranged between the claimants. The only sufferer through
this was the Mexican publican, who found every Morgan his landlord,
and demanding from him tithes over the bar. But force is usually met
with cunning, and such Morgans as would not pay in advance at
Calabasas, when thirsty, often found the half-mad publican out of
goods.
The Calabasas Inn stood in one of the loneliest canyons of the whole
seventy miles between Sleepy Cat and Thief River; it looked in its
depletion to be what it was, a sombre, mysterious, sun, wind, and
alkali beaten pile, around which no one by any chance ever saw a sign
of life. It was a ruin like those pretentious deserted structures
sometimes seen in frontier towns--relics of the wide-open days, which
stand afterward, stark and sombre, to serve as bats' nests or
blind-pigs. The inn at Calabasas looked its part--a haunt of rustlers,
a haven of nameless men, a refuge of road-agents.
Public-domain text, read in full here on John Shaqi.
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