Nan of Music MountainSpearman, Frank H. (Frank Hamilton)
General
Nan of Music Mountain
Spearman, Frank H. (Frank Hamilton)
Adventure stories; Western stories
Scott was the first to reach the trees. The little grove spreads
across a slope half a mile wide between the base of one towering
cliff, still bearing its Spanish name, El Capitan, and the gorge of
the Purgatoire. To the east of this point the trails to Calabasas and
to Sleepy Cat divide, and here Scott and Lefever received de Spain,
who had ridden slowly and followed Scott's injunctions to keep the
red star to the right of El Capitan all the way across the Sinks.
Securing their horses, the three stretched out on the open ground to
wait for daylight. De Spain was wakeful, and his eyes rested with
curiosity on the huge bulk of Music Mountain, rising overwhelmingly
above him. Through the Gap that divided the great, sentinel-like front
of El Capitan, marking the northern face of the mountain rift, from
Round Top, the south wall of the opening, stars shone vividly, as if
lighting the way into the silent range beyond.
The breathing of his companions soon assured de Spain that both were
asleep. The horses were quiet, and the night gave no sound save that
vaguely through the darkness came the faint brawl of tiny cataracts
tumbling down far mountain heights. De Spain, lying on his side, his
head resting on his elbow, and his hands clasped at the back of his
neck, meditated first on how he should capture Sassoon at daybreak,
and then on Nan Morgan and her mountain home, into which he was about
to break to drag out a criminal. Sassoon and his malice soon drifted
out of his mind, but Nan remained. She stayed with him, it seemed, for
hours--appearing and disappearing, in one aspect more alluring than
another. Then her form outlined in the mists that rose from the
hidden creek seemed to hover somewhere near until Scott's hand laid on
the dreamer's shoulder drove it suddenly away. Day was at hand.
De Spain got up and shook off the chilliness and drowsiness of the
night. It had been agreed that he, being less known in the Gap than
either of his companions, could best attempt the difficult capture. It
was strictly a _coup de main_, depending for its success on chance and
nerve. The one that tried it might manage to bring out his man--or
might be brought out himself. Between these alternatives there was not
much middle ground, except that failing to find Sassoon, or in case he
should be intercepted with his prisoner, the intruder, escaping
single-handed from a shower of bullets, might still get away. But
Morgan's Gap men were esteemed fairly good marksmen.
Public-domain text, read in full here on John Shaqi.
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