Naples, Past and PresentNorway, Arthur H. (Arthur Hamilton)
History
Naples, Past and Present
Norway, Arthur H. (Arthur Hamilton)
Naples (Italy) -- Description and travel
I do not doubt there was a time when travellers, arriving at Naples by
sea, found themselves greeted by persons of aspect more pleasing than
those who accost the astonished pilgrim of to-day. There was surely an
age when the lazzaroni were really picturesque, when they lay on the
warm sand in the sunshine, while the bay resounded with the chant of
fishermen, the light-hearted people beguiling their unbounded leisure
with the tuneful strains of "Drunghe, drunghete," of "Tiritomba," or
even the too familiar "Santa Lucia." It cannot be that travellers lied
when they wrote of the amazing picturesqueness of the Neapolitans,
that they painted brown purple, and put on their spectacles of rose as
they approached the land! I wish I had those spectacles; for indeed
the aspect of the quays and wharves of Naples is not attractive, while
the people who throng the boats now pushing off towards the steamer
are just such a crowd of expectant barterers as one may see wherever a
great steamer touches. In the stern of the first stands a naked boy,
brown and lithe. His accomplishment is to dive for pence, which he
does with singular dexterity, cramming all the coins as he catches
them into his mouth, which yet is not so full as to impede his
bellowing like a bull in the effort to attract more custom. Did I
complain of the lack of music? I was hasty; for there comes a second
boat, carrying two nymphs whose devotion to the art has caused them to
forget the use of water, unless it be internally. One has a hoarse
voice, the other a shrill one; and with smiles and antics they pipe
out the cheapest of modern melodies, chanting the eternal "Funicoli,
Funicola," till one wishes the writer of that most paltry song could
be keelhauled, or taught by some other process of similar asperity how
grave is the offence of him who casts one more jingle into the hoarse
throats of the street musicians of to-day. If I flee to the further
side of the steamer and stop my ears from the cacophony, my face is
tickled by the foliage of huge nosegays thrust up on the ends of poles
from a boat so low in the water that I cannot see it. The salt air
grows heavy with the scent of violets and roses. None of my senses is
at peace.
Public-domain text, read in full here on John Shaqi.
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