Naples, Past and PresentNorway, Arthur H. (Arthur Hamilton)
History
Naples, Past and Present
Norway, Arthur H. (Arthur Hamilton)
Naples (Italy) -- Description and travel
"I do not know," cries Capaccio, an ancient topographer who may yet be
read with pleasure, though the grapes have ripened three hundred times
above his tomb, "I do not know whether the Posilipo is more adorned by
the grotto or the grotto by Posilipo." I really cannot guess what he
meant. It sounds like the despairing observation of a writer at a
loss for matter. We will leave him to resolve his own puzzle and go on
through the darkness of the ill-lighted grotto--no pleasanter now than
when Seneca grumbled at its dust and darkness--sparing some thought
for that great festival which on the 7th of September every year turns
this dark highway into a pandemonium of noise and riot. The festival
of Piedigrotta is held as much within the tunnel as on the open space
outside, where stands the church whose Madonna furnishes a devotional
pretext for all the racket. Indeed it is almost more wild and whirling
within than without; for one need not become a boy again to understand
that the joys of rushing up and down, wearing a fantastic paper cap,
blowing shrieks upon a catcall, and brandishing a Chinese lantern,
must be infinitely greater in the bowels of the hill than in the open
air. Of course it is not only, nor even chiefly, a feast for children.
All the lower classes rejoice at Piedigrotta, and often with the best
of cause; for it happens not infrequently that the sky, which for many
weeks has been pitiless and brazen, clouds and breaks about that time,
the welcome rain falls, the streets grow cool again, and laughter
rises from end to end of the reviving city.
Of Fuorigrotta, the unpleasing village at the further end of the
grotto, I have nothing to say, unless it be to express the wish that
Giacomo Leopardi, who lies in the church of San Vitale, lay elsewhere.
That superb poet and fine scholar whose verses upon Italy not yet
reborn rank by their majesty and fire next after those of Dante, and
who yet could produce a poem rendering so nobly the solitude of
contemplation as that which commences--
"Che fai tu luna in ciel, dimmi, che fai,
Silenziosa luna!"
this man should have lain upon some mountain-top, among the scent of
rosemary and of fragrant myrtle, rather than in such a reeking dirty
village as Fuorigrotta.
Public-domain text, read in full here on John Shaqi.
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