Narcissa, or the Road to Rome; In VeronaRichards, Laura Elizabeth Howe
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Narcissa, or the Road to Rome; In Verona
Richards, Laura Elizabeth Howe
Country life -- Fiction; Love stories; Maine -- Social life and customs -- Fiction
And in the dim, sunken doorway sat this girl, herself all soft and
shadowy, with a twilight look in her eyes and in her dusky hair. The
turkeys were the only part of it all that seemed to belong to the sort
of life about here, the hard, bustling life of New England
farm-people, such as he had seen at the other houses along the way.
If it were not for the turkeys, he felt that he should hardly find
courage to speak, for fear it might all melt away into the gathering
twilight,--house, maiden, and all,--and leave nothing but the tall
elms that waved their spectral arms over the sunken roofs.
As it was, however,--as the turkeys were making such a racket that the
girl would never become aware of his presence unless he asserted
himself in some way,--he stepped boldly forward and lifted his hat,
for he had been taught good manners, if he was a tree-agent.
"Excuse me, lady," he said. "Is this the road to Rome?"
Narcissa started violently, and came out of her dream. She had
actually been dressed in the green velvet, and was fastening the last
gold button, ready to step into the chariot that was waiting for
her,--she loved the word chariot, though the pictures in the Bible
made her feel uncertain about the manner of riding in one,--and to
drive along the road, the road to Rome. How strange that at this very
moment some one should ask about the road!
She raised her eyes, still shining with the dream-light, and looked
attentively at the stranger.
"Yes, sir," she answered. "This is the road,--the road to Rome. But
it's a long way from here," she added, rousing herself, and rising
from her seat. "Shoo! go away, now;" and she waved a signal of
dismissal with her apron which the turkeys understood, and at sight of
which they withdrew, not without angry cluckings and gobblings
directed at the disturber of their evening meal.
"Won't you set down and rest a spell? It's ben real hot to-day, though
it's some cooler now."
"It has so!" assented the young man, taking off his hat again to wipe
his brow, and dropping his satchel on the doorstep.
"I should be pleased to set a few minutes, if I'm not intruding. And
do you suppose I could have a drink of water, if it wouldn't be too
much trouble?"
Narcissa went away without a word, and brought back the water,
ice-cold and clear as crystal, in a queer brown mug with a twisted
handle, and an inscription in white letters.
"I'm sorry I haven't got a glass," she said. "But the water is good."
The young man drank deeply, and then looked curiously at the mug. "I'd
rather have this than a glass," he said. "It's quite a curiosity,
ain't it? 'Be Merry!' Well, that's a good sentiment, I'm sure. Thank
you, lady. I'm ever so much obliged."
"You no need to," responded Narcissa, civilly.
"I--I don't suppose you want any trees or plants to set out, do you?"
said the stranger. "I am travelling for a house near Portland, and
I've got some first-rate things,--real chances, I call 'em."
Public-domain text, read in full here on John Shaqi.
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