When his vanity was wounded he made a fetish of his isolation. He told
himself that he had no place in the superficiality of modern life. He
took a train away from the city and walked along the beach under the hot
gray sky beneath clouds like glaring water. He wanted to avoid his
artist friends. He wished to imagine that they could never understand
him. He was acute in his perception of their weaknesses and was always
defending himself inwardly against discovering their defects in himself.
He tired himself out and, taking off his coat, sat down on some
driftwood to rest. His black hair clung in sweated curls to his flushed
forehead. The pine boughs above him rocked secretly against the glowing
blindness of the clouds. The bunches of needles, lustrous on the tips of
the branches, were like black stars. The sea was a moving hill going up
against the horizon. It made a slow heavy sound. The small waves sidled
along the shore, opened their fluted edges a little, fan-wise, then
flattened themselves and sank away with lisping noises.
Dudley was more and more depressed by the constant terrible fear of
having made himself ludicrous. He said to himself that neither Julia nor
her husband would understand him, and he must suffer the
miscomprehension of his motives which would inevitably result from their
lesser experience. The most disconcerting thing was the sudden
retrospective vividness of his physical intimacy with Julia. She seemed
to have become a part of all the abhorrent elements that were
commonplace in his past, elements against which his romantic conception
of his destiny led him to rebel.
His full lips pouted despairingly beneath his neat mustache shining in
the glare, and there was an aggrieved expression in his small sparkling
eyes. His plump, pretty body made him unhappy. He tried to exclude it.
It was terrible for him to realize ugliness or physical deficiency of
any sort. He never associated this with his weak childhood and the
semi-invalidism which he but vaguely remembered. He had begun so early
to detach his experiences from those of other beings, that it never
occurred to him. Yet if he came in contact with disease in another
creature it left him mentally ill. He never made any attempt to analyze
the violence of his reaction against the sight of sickness. At any rate,
his theory was of a Golden Age and a primitive man who had fallen
through admitting weakness into his psychical life.
Dudley did not explain the fact to himself, but he knew that his dignity
survived only in his capacity for pain of the spirit. When he was in
agony of mind he never really doubted that his condition was a superior
one, the travail in which the great soul gave birth to its perfection.
At twenty-seven his hair was turning gray and there were lines of
exhaustion and disillusionment about his eyes and mouth. He demanded so
much of himself that it allowed him no spiritual quiet.
Public-domain text, read in full here on John Shaqi.
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