Despair. He wanted Carrie to admire him. He saw himself strong and
bitter in the possession of all that Carries understand. He wanted to be
kind. He was a great man, alone, a little proud of his madness. Child!
He wanted to go far away--to die. Hate. I can't die! His heart beat
loudly and the memory of Carrie was remote again.
In the hidden street Salvationists were passing. He heard hymn tunes and
the beat of drums.
Dark angel. I want to save men. He thought of the women, strange in
their tight dark dresses. He wanted to save them. Emotionalism. Rot. He
tried to remember the working class and economic determinism. Facts.
They kept things out. There was a dramatic pride in being outcast, in
feeling himself definitely against his aunt and Uncle Archie. That kid,
May. Dead. He gave himself to a sense of loathing that was gorgeous and
absolute. His relaxation was drunken--like a dream.
Once more, when he could not but remember May, he recalled Julia
instead. He did not explain to himself why he hated her so. It was as
though she had done the world some terrible hurt and his was the
arrogance of justice in leaving to her nothing of the self she wanted
him to believe in. Whenever he saw falseness in women, he felt that he
was seeing Julia at last. He wanted his thoughts to destroy her, or at
least to leave her utterly beggared. He must prove to himself that it
was women like Julia, women of the upper classes, that he had to fight.
He could no longer bear the recollection of May going before him through
the park in her short dress with her hair a silver paleness over her
shoulders. Because of Julia, everything wounded him. He conceived a
physical image of Julia in her ultimate day of degradation. When he
thought of stripping everything away from her, it was to show a physical
ugliness to a deceived world. In anticipation he purged his own soul of
all that horrified and confused it. Then he saw her body--that he had
never seen--lie before him like a beaten thing with used maternal
breasts, and knew that he had destroyed forever the virginal falsehood
of her face. No woman who belonged to a man as Julia belonged to
Laurence had the right to a face like hers. He despised his aunt, but
she was frankly a part of the hideousness of sex and his contempt for
her was negative. Toward Julia he was positive, for he felt that when he
had proved everything against her he would not be burdened with May.
When he imagined Julia lean and hideous of body, the sense of intimacy
with her made him gentle. He was strong and liberated.
However, when actuality presented itself, and he realized that if he met
her she would be as he had always known her, kind and a little motherly
toward him, his heart grew sullen, and, again, he was helplessly
convicted of his youth. His defiance was so acute that he wanted to
write her an obscene letter and tell her of what he had done and the
women he knew. But he was trapped, as always, in the fear of appearing
ridiculous.
Public-domain text, read in full here on John Shaqi.
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