The best known efforts at collecting material for the ante-Spanish history of Mexico were made by Boturini,[894] who had come over to New Spain in 1736, on some agency for a descendant of Montezuma, the Countess de Santibañez. Here he became interested in the antiquities of the country, and spent eight years roving about the country picking up manuscripts and pictures, and seeking in vain for some one to explain their hieroglyphics. Some action on his part incurring the displeasure of the public authorities, he was arrested, his collection[895] taken from him, and he was sent to Spain. On the voyage an English cruiser captured the vessel in which he was, and he thus lost whatever he chanced to have with him.[896] What he left behind remained in the possession of the government, and became the spoil of damp, revolutionists, and curiosity-seekers. Once again in Spain, Boturini sought redress of the Council of the Indies, and was sustained by it in his petition; but neither he nor his heirs succeeded in recovering his collection. He also prepared a book setting forth how he proposed, by the aid of these old manuscripts and pictures, to resuscitate the forgotten history of the Mexicans. The book[897] is a jumble of notions; but appended to it was what gives it its chief value, a “Catálogo del Museo histórico Indiano,” which tells us what the collection was. While it was thus denied to its collector, Mariano Veytia,[898] who had sympathized with Boturini in Madrid, had possession, for a while at least, of a part of it, and made use of it in his _Historia Antigua de Méjico_, but it is denied, as usually stated, that the authorities upon his death (1778) prevented the publication of his book. The student was deprived of Veytia’s results till his MS. was ably edited, with notes and an appendix, by C. F. Ortega (Mexico, 1836).[899] Another, who was connected at a later day with the Boturini collection, and who was a more accurate writer than Veytia, was Antonio de Leon y Gama, born in Mexico in 1735. His _Descripcion histórica y Cronológica de las Dos Piedras_ (Mexico, 1832)[900] was occasioned by the finding, in 1790, of the great Mexican Calendar Stone and other sculptures in the Square of Mexico. This work brought to bear Gama’s great learning to the interpretation of these relics, and to an exposition of the astronomy and mythology of the ancient Mexicans, in a way that secured the commendation of Humboldt.[901] [Illustration: LORENZO BOTURINI. After a lithograph in Cumplido’s Mexican edition of Prescott’s _Mexico_. There is an etched portrait in the _Archives de la Soc. Américaine de France, nouvelle série_, i., which is accompanied by an essay on this “Père de l’Américanisme,” and “les sources aux quelles il a puisé son précis d’histoire Américaine,” by Léon Cahun.]