Beside the tribute-rolls,[1119] which make one part of it, the MS. covers the civil history of the Mexicans, with a third part on the discipline and economy of the people, which renders it of so much importance in an archæological sense.[1120] The second reproduction in Kingsborough’s first volume is what he calls the _Codex Telleriano-Remensis_, preserved in the Bibliothèque Nationale at Paris, and formerly owned by M. Le Tellier.[1121] The rest of this initial volume is made up of facsimiles of Mexican hieroglyphics and paintings, from the Boturini and Selden collections, which last is in the Bodleian. The second Kingsborough volume opens with a reproduction of the _Codex Vaticanus_ (the explanation[1122] is in volume vi.), which is in the library of the Vatican, and it is known to have been copied in Mexico by Pedro de los Rios in 1566. It is partly historical and partly mythological.[1123] The rest of this volume is made up of facsimiles of other manuscripts,—one given to the Bodleian by Archbishop Laud, others at Bologna,[1124] Vienna,[1125] and Berlin. The third volume reproduces one belonging to the Borgian Museum at Rome, written on skin, and thought to be a ritual and astrological almanac. This is accompanied by a commentary by Frabega.[1126] Kingsborough gives but a single Maya MS., and this is in his third volume, and stands with him as an Aztec production. This is the _Dresden Codex_, not very exactly rendered, which is preserved in the royal library in that city, for which it was bought by Götz,[1127] at Vienna, in 1739. Prescott (i. 107) seemed to recognize its difference from the Aztec MSS., without knowing precisely how to class it.[1128] Brasseur de Bourbourg calls it a religious and astrological ritual. It is in two sections, and it is not certain that they belong together. In 1880 it was reproduced at Dresden by polychromatic photography (Chromo-Lichtdruck), as the process is called, under the editing of Dr. E. Förstemann, who in an introduction describes it as composed of thirty-nine oblong sheets folded together like a fan. They are made of the bark of a tree, and covered with varnish. Thirty-five have drawings and hieroglyphics on both sides; the other four on one side only. It is now preserved between glass to prevent handling, and both sides can be examined. Some progress has been made, it is professed, in deciphering its meaning, and it is supposed to contain “records of a mythic, historic, and ritualistic character.”[1129] Another script in Kingsborough, perhaps a Tezcucan MS., though having some Maya affinities, is the _Fejérvary Codex_, then preserved in Hungary, and lately owned by Mayer, of Liverpool.[1130]