Narrative and Critical History of America, Vol. 1 (of 8): Aboriginal America
History
Narrative and Critical History of America, Vol. 1 (of 8): Aboriginal America
America -- Discovery and exploration; America -- History; United States -- History
Spinning, weaving, and dyeing were arts which were sources of
employment to a great number of people, owing to the quantity and
variety of the fabrics for which there was a demand. There were rich
dresses interwoven with gold or made of gold thread; fine woollen
mantles, or tunics, ornamented with borders of small square gold and
silver plates; colored cotton cloths worked in complicated patterns;
and fabrics of aloe fibre and sheeps’ sinews for breeches. Coarser
cloths of llama wool were also made in vast quantities. But the potters
art was perhaps the one which exercised the inventive faculties of the
Peruvian artist to the greatest extent. The silver and gold utensils,
with the exception of a very few cups and vases, have nearly all been
melted down. But specimens of pottery, found buried with the dead in
great profusion, are abundant. They are to be seen in every museum, and
at Berlin and Madrid the collections are very large.[1223] Varied as
are the forms to be found in the pottery of the Incas, and elegant as
are many of the designs, it must be acknowledged that they are inferior
in these respects to the specimens of the plastic art of the Chimu and
other people of the Peruvian coast. The Incas, however, displayed a
considerable play of fancy in their designs. Many of the vases were
moulded into forms to represent animals, fruit, and corn, and were used
as _conopas_, or household gods. Others took the shape of human heads
or feet, or were made double or quadruple, with a single neck branching
from below. Some were for interment with the _malquis_, others for
household use.[1224] Professor Wilson, who carefully examined several
collections of ancient Peruvian pottery, formed a high opinion of their
merit. “Some of the specimens,” he wrote, “are purposely grotesque,
and by no means devoid of true comic fancy; while, in the greater
number, the endless variety of combinations of animate and inanimate
forms, ingeniously rendered subservient to the requirements of utility,
exhibit fertility of thought in the designer, and a lively perceptive
faculty in those for whom he wrought.”[1225]
There is a great deal more to learn respecting this marvellous
Inca civilization. Recent publications have, within the last few
years, thrown fresh and unexpected light upon it. There may be more
information still undiscovered or inedited. As yet we can understand
the wonderful story only imperfectly, and see it by doubtful lights.
Respecting some questions, even of the first importance, we are still
able only to make guesses and weigh probabilities. Yet, though there
is much that is uncertain as regards historical and other points, we
have before us the clear general outlines of a very extraordinary
picture. In no other part of America had civilization attained to such
a height among indigenous races. In no other part of the world has the
administration of a purely socialistic government been attempted. The
Incas not only made the attempt, but succeeded.
Public-domain text, read in full here on John Shaqi.
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