Narrative and Critical History of America, Vol. 1 (of 8): Aboriginal America
History
Narrative and Critical History of America, Vol. 1 (of 8): Aboriginal America
America -- Discovery and exploration; America -- History; United States -- History
[Illustration: PERUVIAN DRINKING VESSEL.
[After a cut in Wilson’s _Prehistoric Man_, ii. 45; showing a cup of
the Beckford collection. “There is an individuality in the head, at
once suggestive of portraiture.”—ED.]]
The artificers engaged in the numerous arts and on public works
subsisted on the government share of the produce. The artists who
fashioned the stones of the Sillustani towers or of the Cuzco temple
with scientific accuracy before they were fixed in their places, were
wholly devoted to their art. Food and clothing had to be provided for
them, and for the miners, weavers, and potters. Gold was obtained by
the Incas in immense quantities by washing the sands of the rivers
which flowed through the forest-covered province of Caravaya. Silver
was extracted from the ore by means of blasting-furnaces called
_huayra_; for, although quicksilver was known and used as a coloring
material, its properties for refining silver do not appear to have
been discovered. Copper was abundant in the Collao and in Charcas, and
tin was found in the hills on the east side of Lake Titicaca, which
enabled the Peruvians to use bronze very extensively.[1221] Lead was
also known to them. Skilful workers in metals fashioned the vases and
other utensils for the use of the Inca and of the temples, forged the
arms of the soldiers and the implements of husbandry, and stamped or
chased the ceremonial breastplates, _topus_, girdles, and chains. The
bronze and copper warlike instruments, which were star-shaped and used
as clubs, fixed at the ends of staves, were cast in moulds. One of
these club-heads, now in the Cambridge collection, has six rays, broad
and flat, and terminating in rounded points. Each ray represents a
human head, the face on one surface and the hair and back of the head
on the other. This specimen was undoubtedly cast in a mould. “It is,”
says Professor Putnam, “a good illustration of the knowledge which
the ancient Peruvians had of the methods of working metals and of the
difficult art of casting copper.”[1222]
[Illustration: UNFINISHED CLOTH FOUND AT PACHACAMAC.
[After a cut in Wiener, _Pérou et Bolivie_, p. 65.—ED.]]
Public-domain text, read in full here on John Shaqi.
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