Narrative and Critical History of America, Vol. 3 (of 8): English Explorations and Settlements in North America 1497-1689
History
Narrative and Critical History of America, Vol. 3 (of 8): English Explorations and Settlements in North America 1497-1689
America -- Discovery and exploration; America -- History; United States -- History
About this time, or perhaps a few years earlier, there was painted in
England a portrait of Sebastian Cabot, supposed for many years to have
been done by Holbein, whose death has usually been referred to the year
1554, though recent investigations have rendered it probable that he
died eleven years before. The first notice of this portrait which I
have seen is in Purchas.[39] A minute description of it, with a notice
of its disappearance from Whitehall, where it hung for many years, is
given by Mr. Biddle,[40] who subsequently purchased the picture in
England and brought it to this country, where in 1845 it was burned
with his house and contents, in Pittsburg, Pa. Two excellent copies of
it, however, had fortunately been taken, one of which, by the artist
Chapman, is in the gallery of the Massachusetts Historical Society,[41]
and the other in that of the New York Historical Society.[42] The
portrait was painted after Cabot had returned to England; and it is
said, I know not on what authority, to have been painted for King
Edward VI., who died in 1553. Cabot lived some five years longer.
The picture represents Cabot as a very old man. It has the following
inscription upon it:[43]—
EFFIGIES· SEBASTIANI CABOTI
ANGLI· FILII· JOHÃNIS· CABOTI· VENE
TI· MILITIS· AVRATI· PRIMI· INVĒT
ORIS· TERRÆ NOVIÆ SUB HERICO VII. ANGL
LÆ REGE.
A peculiar interest is attached to this inscription, from the
circumstance that it must probably have proceeded from Sebastian Cabot
himself; that is to say, the facts intended to be embodied in it by
the artist or herald could best come from him. But being clumsily
expressed, it is uncertain whether the son or the father was intended
to be represented as the knight and discoverer. With the exception
of the legend on the map already mentioned, it is the only direct
testimony presumably from Sebastian himself as to the principal fact
involved. That joins both the father and the son as discoverers. Here
the honor is given to but one of them, but unhappily the only statement
clearly expressed is that Sebastian Cabot is an Englishman and the son
of John Cabot, a Venetian. Which was the knight and the discoverer no
one can tell certainly from the legend itself. The inscription has
been the subject of considerable discussion and even controversy.[44]
Humboldt has a brief note on the subject,[45] in which he says: “Il
importe de savoir si c’est le père Jean ou le fils Sebastien qui est
désigné comme celui auquel la décoverte est due. Si c’était le fils,
Holbein aurait probablement placé le mot _filii_ après _Veneti_. Il
aurait écrit: _Effigies_ Seb. Caboti Angli, Joannis Caboti Veneti
filii....” We now know from other evidence that John Cabot was the
discoverer of North America. He may have been accompanied by his son,
Sebastian, but it would have been a pleasant fact to have the testimony
of the son to his father’s honor clearly expressed, as may have been
intended in this awkward composition.
Public-domain text, read in full here on John Shaqi.
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