Narrative and Critical History of America, Vol. 6 (of 8): The United States of North America, Part I
History
Narrative and Critical History of America, Vol. 6 (of 8): The United States of North America, Part I
America -- Discovery and exploration; America -- History; United States -- History
arrested the movement which resulted in the independence of America and
the overthrow of the royal prerogative in England.
[Illustration: JOHN ADAMS. (_Amsterdam print._)
The Amsterdam edition, 1782, of _Geschiedenis van het Geschil tusschen
Groot-Britannie en Amerika ... door zijne Excellentie, den Heere John
Adams_.
There is a likeness of John Adams as a young man engraved in his _Life
and Works_, vol. ii. He says of himself at the time of the famous scene
when Otis was making his plea against the Writs of Assistance, and he
was taking notes of it, that the artist depicting it would have to
represent the young reporter as "looking like a short, thick Archbishop
of Canterbury" (_Works_, x. 245). There was a print published in London
in 1783 showing a head in a circle, which is reproduced in the _Mag.
of Amer. Hist._, xi. 93. Copley painted him once, in 1783, in court
dress, and the painting now hangs in Memorial Hall, Cambridge. The
head of this full-length picture was engraved for Stockdale's edition
of Adams's _Defence of the Constitutions_, published in 1794; and the
painting was never engraved to show the entire figure till it appeared
in vol. v. of the _Works_ (A. T. Perkins's _Copley_, p. 27). Cf. the
head in Bartlett Woodward's _United States_.
Stuart first painted him in 1812, and this picture belongs to his
descendants, and is engraved in the _Works_, vol. i. There are copies
of this picture by Gilbert Stuart Newton and B. Otis, both of which
have been engraved. The Newton copy is in the Mass. Hist. Society
(_Catal. of Cabinet_, no. 47; _Proc._, 1862, p. 3). The Otis copy
has been engraved by J. B. Longacre (Sanderson's _Signers_, vol.
viii.). Stuart again painted Adams in 1825, the year before he died,
representing him as sitting at one end of a sofa. It is engraved on
steel in the _Works_, vol. x., and on wood in the _Mem. Hist. Boston_,
iii. 192. (Cf. Mason's _Stuart_, p. 125.) Another Stuart is owned by
Mr. T. Jefferson Coolidge, of Boston.
A portrait by Col. John Trumbull also hangs in Memorial Hall,
Cambridge; and Adams's likeness is also in Independence Hall. (Cf.
Irving's _Washington_, quarto ed., vol. v.) A cabinet full-length by
Winstanley, painted while Adams was at the Hague (1782), is in the
Boston Museum (Johnston's _Orig. Portraits of Washington_, p. 93).
Among the contemporary popular engravings, mention may be made of that
by Norman in the _Boston Magazine_, Feb., 1784; one in the _European
Magazine_ (vol. iv. 83).
Stuart also painted a portrait of the wife of John Adams, which is
engraved in the _Works_, vol. ix. A picture of her by Blythe, at the
age of twenty-one, accompanies the _Familiar Letters_.
Views of the Adams homestead in Quincy, Mass., are given in the _Works_
(vol. i. p. 598); in _Appleton's Journal_ (xii. 385); in Mrs. Lamb's
_Homes of America_. An india-ink sketch, showing a distant view of
Boston beyond the house, is in the halls of the Bostonian Society.—ED.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account