Narrative and Miscellaneous PapersDe Quincey, Thomas
General
Narrative and Miscellaneous Papers
De Quincey, Thomas
English essays; English fiction
All these cases which we have been rehearsing, taking them in the
fullest literality, agree in this general point of union--they are all
silent incarnations of miraculous power--miracles, supposing them to
have been such originally, locked up and embodied in the regular
course of nature, just as we see lineaments of faces and of forms in
petrifactions, in variegated marbles, in spars, or in rocky strata,
which our fancy interprets as once having been real human existences;
but which are now confounded with the substance of a mineral product.
Even those who are most superstitious, therefore, look upon cases of
this order as occupying a midway station between the physical and the
hyperphysical, between the regular course of nature and the providential
interruption of that course. The stream of the miraculous is here
confluent with the stream of the natural. By such legends the credulous
man finds his superstition but little nursed; the incredulous finds his
philosophy but little revolted. Both alike will be willing to admit, for
instance, that the apparent act of reverential thanksgiving, in certain
birds, when drinking, is caused and supported by a physiological
arrangement; and yet, perhaps, both alike would bend so far to the
legendary faith as to allow a child to believe, and would perceive a
pure childlike beauty in believing, that the bird was thus rendering a
homage of deep thankfulness to the universal Father, who watches for
the safety of sparrows, and sends his rain upon the just and upon the
unjust. In short, the faith in this order of the physico-miraculous
is open alike to the sceptical and the non-sceptical: it is touched
superficially with the coloring of superstition, with its tenderness,
its humility, its thankfulness, its awe; but, on the other hand, it is
not therefore tainted with the coarseness, with the silliness, with the
credulity of superstition. Such a faith reposes upon the universal
signs diffused through nature, and blends with the mysterious of natural
grandeurs wherever found--with the mysterious of the starry heavens,
with the mysterious of music, and with that infinite form of the
mysterious for man's dimmest misgivings--
'Whose dwelling is the light of setting suns.'
Public-domain text, read in full here on John Shaqi.
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