Narrative and Miscellaneous PapersDe Quincey, Thomas
General
Narrative and Miscellaneous Papers
De Quincey, Thomas
English essays; English fiction
Everything, however, passes away under the healing hand of time, and
this also faded from the public mind. People remembered also that he
was a brother, and in that character, at any rate, had a right to some
allowances for his intemperance; and what quickened the oblivion of the
affair was, which in itself was sufficiently strange, that Barratt did
not revive the case in the public mind by seeking legal reparation for
his injuries. It was, however, still matter of regret that Pierpoint
should have indulged himself in this movement of passion, since
undoubtedly it broke and disturbed the else uniform stream of public
indignation, by investing the original aggressor with something like the
character of an injured person; and therefore with some set-off to plead
against his own wantonness of malice;--his malice might now assume the
nobler aspect of revenge.
Thus far, in reporting the circumstances, Hannah had dallied--thus far
I had rejoiced that she dallied, with the main burden of the wo; but now
there remained nothing to dally with any longer--and she rushed along in
her narrative, hurrying to tell--I hurrying to hear. A second, a third
examination had ensued, then a final committal--all this within a week.
By that time all the world was agitated with the case; literally not
the city only, vast as that city was, but the nation was convulsed and
divided into parties upon the question, Whether the prosecution were one
of mere malice or not? The very government of the land was reported to
be equally interested, and almost equally divided in opinion. In this
state of public feeling came the trial. Image to yourself, oh reader,
whosoever you are, the intensity of the excitement which by that time
had arisen in all people to be spectators of the scene--then image to
yourself the effect of all this, a perfect consciousness that in
herself as a centre was settled the whole mighty interest of
the exhibition--that interest again of so dubious and mixed a
character--sympathy in some with mere misfortune--sympathy in others
with female frailty and guilt, not perhaps founded upon an absolute
unwavering belief in her innocence, even amongst those who were most
loud and positive as partisans in affirming it,--and then remember that
all this hideous scenical display and notoriety settled upon one whose
very nature, constitutionally timid, recoiled with the triple agony of
womanly shame--of matronly dignity--of insulted innocence, from every
mode and shape of public display. Combine all these circumstances and
elements of the case, and you may faintly enter into the situation of my
poor Agnes. Perhaps the best way to express it at once is by recurring
to the case of a young female Christian martyr, in the early ages of
Christianity, exposed in the bloody amphitheatre of Rome or Verona, to
'fight with wild beasts,' as it was expressed in mockery--she to fight
the lamb to fight with lions! But in reality the young martyr _had_
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