Narrative and Miscellaneous Papers — Volume 1De Quincey, Thomas
General
Narrative and Miscellaneous Papers — Volume 1
De Quincey, Thomas
English essays; English fiction
healing hand of time, and this also faded from the public mind. People
remembered also that he was a brother, and in that character, at any
rate, had a right to some allowances for his intemperance; and what
quickened the oblivion of the affair was, which in itself was
sufficiently strange, that Barratt did not revive the case in the
public mind by seeking legal reparation for his injuries. It was,
however, still matter of regret that Pierpoint should have indulged
himself in this movement of passion, since undoubtedly it broke and
disturbed the else uniform stream of public indignation, by investing
the original aggressor with something like the character of an injured
person; and therefore with some set-off to plead against his own
wantonness of malice;--his malice might now assume the nobler aspect of
revenge.
Thus far, in reporting the circumstances, Hannah had dallied--thus far
I had rejoiced that she dallied, with the main burden of the wo; but
now there remained nothing to dally with any longer--and she rushed
along in her narrative, hurrying to tell--I hurrying to hear. A second,
a third examination had ensued, then a final committal--all this within
a week. By that time all the world was agitated with the case;
literally not the city only, vast as that city was, but the nation was
convulsed and divided into parties upon the question, Whether the
prosecution were one of mere malice or not? The very government of the
land was reported to be equally interested, and almost equally divided
in opinion. In this state of public feeling came the trial. Image to
yourself, oh reader, whosoever you are, the intensity of the excitement
which by that time had arisen in all people to be spectators of the
scene--then image to yourself the effect of all this, a perfect
consciousness that in herself as a centre was settled the whole mighty
interest of the exhibition--that interest again of so dubious and mixed
a character--sympathy in some with mere misfortune--sympathy in others
with female frailty and guilt, not perhaps founded upon an absolute
unwavering belief in her innocence, even amongst those who were most
loud and positive as partisans in affirming it,--and then remember that
all this hideous scenical display and notoriety settled upon one whose
very nature, constitutionally timid, recoiled with the triple agony of
womanly shame--of matronly dignity--of insulted innocence, from every
mode and shape of public display. Combine all these circumstances and
elements of the case, and you may faintly enter into the situation of
my poor Agnes. Perhaps the best way to express it at once is by
recurring to the case of a young female Christian martyr, in the early
ages of Christianity, exposed in the bloody amphitheatre of Rome or
Verona, to 'fight with wild beasts,' as it was expressed in mockery--
she to fight the lamb to fight with lions! But in reality the young
martyr _had_ a fight to maintain, and a fight (in contempt of that
Public-domain text, read in full here on John Shaqi.
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