In taking leave of a book and a subject so well fitted to draw out the highest mode of that grandeur, which _can_ connect itself with the external, (a grandeur capable of drawing down a spiritual being to earth, but not of raising an earthly being to heaven,) I would wish to contribute my own brief word of homage to this grandeur by recalling from a fading remembrance of twenty-five years back a short _bravura_ of John Paul Richter. I call it a _bravura_, as being intentionally a passage of display and elaborate execution; and in this sense I may call it partly 'my own,' that at twenty-five years' distance, (after one single reading,) it would not have been possible for any man to report a passage of this length without greatly disturbing [Footnote: _'Disturbing;'_--neither perhaps should I much have sought to avoid alterations if the original had been lying before me: for it takes the shape of a dream; and this most brilliant of all German writers wanted in that field the severe simplicity, that horror of the _too much_, belonging to Grecian architecture, which is essential to the perfection of a dream considered as a work of art. He was too elaborate, to realize the grandeur of the shadowy.] the texture of the composition: by altering, one makes it partly one's own; but it is right to mention, that the sublime turn at the end belongs entirely to John Paul. 'God called up from dreams a man into the vestibule of heaven, saying, --"Come thou hither, and see the glory of my house." And to the servants that stood around his throne he said,--"Take him, and undress him from his robes of flesh: cleanse his vision, and put a new breath into his nostrils: only touch not with any change his human heart--the heart that weeps and trembles." It was done; and, with a mighty angel for his guide, the man stood ready for his infinite voyage; and from the terraces of heaven, without sound or farewell, at once they wheeled away into endless space. Sometimes with the solemn flight of angel wing they fled through Zaarrahs of darkness, through wildernesses of death, that divided the worlds of life: sometimes they swept over frontiers, that were quickening under prophetic motions from God. Then, from a distance that is counted only in heaven, light dawned for a time through a sleepy film: by unutterable pace the light swept to _them_, they by unutterable pace to the light: in a moment the rushing of planets was upon them: in a moment the blazing of suns was around them. Then came eternities of twilight, that revealed, but were not revealed. To the right hand and to the left towered mighty constellations, that by self-repetitions and answers from afar, that by counter-positions, built up triumphal gates, whose architraves, whose archways--horizontal, upright--rested, rose--at altitudes, by spans-- that seemed ghostly from infinitude. Without measure were the architraves, past number were the archways, beyond memory the gates.