Narrative of travels and discoveries in Northern and Central Africa, in the years 1822, 1823, and 1824Denham, Dixon
History
Narrative of travels and discoveries in Northern and Central Africa, in the years 1822, 1823, and 1824
Denham, Dixon
Africa, Central -- Description and travel; Africa, North -- Description and travel; Natural history -- Africa, North
and entering, unexpectedly, one morning, I found him with a dove
that had been just killed and cut open lying on his head, which,
as he assured me, was because a very great maraboot had come from
Wadan on purpose to perform the operation.
During our stay at Sockna, the marriage of the son of one of the
richest inhabitants, Hadgi Mohammed-el-Hair-Trigge, was celebrated in
the true Arab style. There is something so rudely chivalric in their
ceremonies (so very superior to the dull monotony of a Tripolitan
wedding), where from one to five hundred guests, all males, assemble,
covered with gold lace, and look at one another, from the evening of
one day until daylight the next, that I cannot help describing them.
The morning of the marriage-day (for the ceremony is always performed
in the evening, that is, the final ceremony; for they are generally
betrothed, and the fatah read, a year before) is ushered in by the
music of the town or tribe, consisting of a bagpipe and two small
drums, serenading the bride first, and then the bridegroom, who
generally walks through the streets very finely dressed, with all
the town at his heels; during which time, the women all assemble
at the bride’s house, dressed in their finest clothes, and place
themselves at the different holes in the wall which serve as windows,
and look into the court-yard. When they are so placed, and the bride
is in front of one of the windows with her face entirely covered
with her barracan, the bridal clothes, consisting of silk shifts,
shawls, silk trowsers, and fine barracans, to show her riches,
are hung from the top of the house, quite reaching to the ground:
the young Arab chiefs are permitted to pay their respects; they are
preceded from the skiffa, or entrance, by their music, and a dancing
woman or two advances with great form, and with slow steps, to the
centre of the court, under the bride’s window: here the ladies
salute their visitors, with “loo! loo! loo!” which they return
by laying their right hand on their breasts, as they are conducted
quite round the circle. Ample time is afforded them to survey the
surrounding beauties; and there are but few, who, on these occasions,
are so cruel as to keep the veil quite closed. Such an assemblage
of bright black eyes, large ear-rings, and white teeth, are but
rarely seen in any country, I should suppose. After having made
the circuit, the largess is given, and exposed to view by the chief
_danseuse_, and, according to its amount, is the donor hailed and
greeted by the spectators. Previous to their departure, all visitors
discharge their pistols, and then again the ladies salute with the
“loo! loo!” So far from being displeased at my asking permission
to pay my respects, they considered it as a favour conferred; and
the bridegroom, although he could not himself be admitted, attended
me to and from the house of his mistress. This ceremony being ended,
a little before sunset, the bride prepares to leave her father’s
Public-domain text, read in full here on John Shaqi.
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