Narrative of Travels in Europe, Asia, and Africa, in the Seventeenth Century, Vol. IEvliya Çelebi
History
Narrative of Travels in Europe, Asia, and Africa, in the Seventeenth Century, Vol. I
Evliya Çelebi
Caucasus, South -- Description and travel; Istanbul (Turkey) -- Description and travel; Turkey -- History
On the side next to the Mihráb, and
on that opposite to it, the dome is joined by two semi-domes, which do
not, however, rest on those columns, as the architect was afraid of
overloading them. Sinán opened windows on every side to give light to
the mosque. Those over the Mihráb and Minber are filled with coloured
glass, the brilliance of whose colours within, and the splendour of the
light reflected from them at noon, dazzle the eyes of the beholders,
and fill them with astonishment. Each window is adorned with some
hundreds of thousands of small pieces of glass, which represent either
flowers, or the letters forming the excellent names (_i.e._ the Divine
attributes); they are, therefore, celebrated by travellers all over
the world. Though the Mihráb, Minber, and Mahfil of the Muëzzins are
only formed of plain white marble, yet the last is of such exquisite
workmanship, that it seems to be the Mahfil of Paradise; the Minber is
also made of plain marble, but is surmounted by a conical tiara-like
canopy, the like of which is no where to be found; and the Mihráb is
like that of his Majesty Solomon himself. Above it there is engraved
in letters of gold, on an azure ground, from the hand-writing of
Karah-hisárí, this text of the Korán (iii. 32), “Whenever Zakariyyà
(Zacharias) went into the chamber (mihráb) to her.” On the right and
left of the Mihráb there are spirally-twisted columns, which appear
like the work of magic. There are also candlesticks of a mans stature,
made of pure brass, and gilt with pure gold, which hold candles of
camphorated bees’-wax, each 20 kantárs (quintals) in weight. The ascent
to each of them is by a wooden staircase of fifteen steps, and they
are lighted every night. In the left corner of the mosque is a gallery
(mahfil) raised on columns, for the private use of the Sultán; and
it also contains a special Mihráb. Besides this gallery, there are
four others, one on each of the large piers, for the readers of the
lessons from the Korán. On both sides of the mosque there are benches
(soffahs), supported by low columns, and outside of it, parallel with
these benches within, galleries, supported on columns, one of which
looks upon the sea, and the other on the market. When the mosque is
very much crowded, many persons perform their devotions on these
benches. There are also, round the cupola, within the mosque, two rows
of galleries supported by columns, which, on the blessed nights, are
lighted with lamps. The total number of the lamps is 22,000; and there
are likewise some thousands of other ornaments suspended from the roof.
There are windows on all the four sides of the mosque, through each of
which refreshing breezes enter and revive the congregation; so that
they seem to be enjoying eternal life in Paradise. This mosque is also,
by the will of God, constantly perfumed by an excellent odour, which
gives fragrance to the brain of man, but has no resemblance to the
odour of earthly flowers.
Public-domain text, read in full here on John Shaqi.
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