Nasby in Exile: or, Six Months of Travel in England, Ireland, Scotland, France, Germany, Switzerland and Belgium, with many things not of travelLocke, David Ross
Philosophy
Nasby in Exile: or, Six Months of Travel in England, Ireland, Scotland, France, Germany, Switzerland and Belgium, with many things not of travel
Locke, David Ross
Europe -- Description and travel
In the house I am in is an American, who insisted one morning on going
across the square without his umbrella. I mildly remonstrated. "It is
safe," he said, "it isn't raining now, for it was a minute ago." He was
right, but he came to grief for all that. It rained again in another
minute.
London is a miracle of twistedness. If there is a straight street in
it--that is, one that runs parallel with any other--I have not found it.
The streets of Boston, it is said, were originally cow-paths. If those
of London were located on the paths of cows, the cows must have been
intoxicated, for there is no system nor any approach to one. They begin
without cause and end without reason. There are angles, curves and
stoppages, and that is all there is about it. Where a street, to answer
the ends of convenience and economy, should go on, you come squarely
against a dead wall, and where a street should naturally end, there has
been constructed, at vast expense, a continuance, and for no apparent
reason. Doubtless there is a reason, but I would give a handsome premium
to have it made manifest to me.
Like all old cities, there never was a plan. This ground was never taken
up at a dollar and a quarter an acre, as in America, by a set of
speculators, and laid out in regular squares, and sold at so much a lot.
London never was made--it grew. The original city is a little spot,
occupied mostly by banks, but other cities grew around it, and they were
joined by all sorts of lanes and roads, which in time became occupied,
and so the inextricable jumble occurred.
The city is built entirely of brick and stone, and in the style and
convenience of its buildings, is not to be compared to American cities.
There is a terrible monotony in its architecture, and a most depressing
sameness in color. All London is dingy. Occasionally an enterprising
citizen paints his house to distinguish it from his neighbor's, but he
never does it but once. The coal consumed is bituminous, and the smoke
it produces is the thickest smoke in the world, and it hangs very close
to the earth. The paint becomes discolored in a few months, and the
aspiring citizen finds in the smoke a protest against his vanity. His
house soon drops into line with his neighbor's, and is as dingy as
before.
[Sidenote: VEHICULAR.]
Public-domain text, read in full here on John Shaqi.
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