Nat Goodwin's BookGoodwin, Nat. C. (Nathaniel Carll)
General
Nat Goodwin's Book
Goodwin, Nat. C. (Nathaniel Carll)
Actors -- Correspondence
We three were supping one night at the Richelieu Hotel, Chicago.
Jefferson had previously suggested to me the idea of my playing Doctor
Pangloss in "The Heir at Law," endeavoring to point out the many
benefits I would bestow by appearing in that character. I listened
with much respect but refused, knowing how old fashioned were both
the play and rôle. Sol, however, was not proof against the clever old
gentleman's blandishments and fell for the suggestion. The fact of
appearing in any character made famous by the astute old fox was enough
for the guileless Sol. I knew Jefferson wanted some one to play the
part only to court comparisons. To prove his interest in Sol's future,
Jefferson presented him with his entire wardrobe, even to the shoes and
awful wig. Sol was delighted at the prospect and accepted them readily.
When told of this at the supper that evening, I turned to Sol and said,
"Well, the press has been hurling Mr. Jefferson's mantle at me for
years, but you have undressed him. I guess I'll have to wear my own."
Jefferson seemed to enjoy the sally but I'm afraid Sol failed to
appreciate my remarks or gather my meaning. It would have been better
for him if he had, for later he produced the play and met with instant
failure.
While touring in the all star cast of "The Rivals" I called on an old
and esteemed friend of mine at Chicago--the bar keeper at the Grand
Pacific Hotel--who informed me that my friend Sol Smith Russell and
he had spent a most enjoyable evening the night before. Sol had left
him at about two A. M. saying he was looking forward to our
appearing in "The Rivals" with joyous anticipation. I asked about Sol's
health and capacity. The bar keeper replied, "He's fine. I have his
tabs for sixty dollars." I gasped, "Not cocktails!" He replied, "No,
pints."
The next afternoon at the matinee after the first act Sol's card came
up to Mr. Jefferson's dressing-room (which I shared on tour). Of
course he was admitted at once. Not appearing in the first act, I was
preparing the finishing touches to my make-up in a remote corner of the
room and was not seen by Sol. He rushed over to Jefferson who warmly
greeted him. Sol was most enthusiastic over the performance of the
first act. Standing in the center of the room, safely braced by both
hands on a massive oak table he gushed forth as follows:
"My dear Joseph, I have never seen such acting, such art. Surely
Sheridan in his grave must appreciate such artistic values as are being
dealt with this afternoon, such--"
Then came a long pause and his eyes closed as if he were in deep
meditation--I knew it was a hold over--then his lids started open and
he gathered up the thread of his complimentary effusion:--
"Such superb treatment, delicacy, subtlety, and--" again a pause and
the same closing of the eyes, the awakening and continuation:--
Public-domain text, read in full here on John Shaqi.
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