Nat Goodwin's BookGoodwin, Nat. C. (Nathaniel Carll)
General
Nat Goodwin's Book
Goodwin, Nat. C. (Nathaniel Carll)
Actors -- Correspondence
Had I known as much then as I do now or had my youthful obduracy been
less pronounced the sudden rise to heights of fame which marked Richard
Mansfield's career might never have happened--in any event it would
have been postponed.
It was while I was rehearsing in "The Black Flag," a melodrama which
won much success later, that a gifted journalist, A. R. Cazauran,
who was then acting in the capacity of play reader, adapter and
general factotum for Shook and Palmer, the lessees of the Union
Square Theatre, came to see me. After watching the rehearsal Cazauran
decided that I was sacrificing my time and talent with "such drivel as
'The Black Flag.'" When the rehearsal was finished he insisted upon
my accompanying him to Mr. Palmer's office, as he had something of
great importance to communicate to me. After seating ourselves at Mr.
Palmer's desk, he said,
"Goodwin, I am now going to give you the opportunity of your life. We
are going to produce a play called 'A Parisian Romance.' J. H. Stoddard
has been rehearsing the part of the Baron, but he has decided not to
play it, feeling that he does not suit the character."
Cazauran then continued in his delightfully broken English that that
was the part he had in mind for me and it would suit me "down to the
ground." The character of Baron Chevreal was that of a man of middle
age; but a young man, with virility, was necessary to act the death
scene which required tremendous force. He brought out the manuscript
and read me the entire play. When he had finished, I said,
"For the love of heaven, Cazauran, why did you select me to play that
gruesome tragedy rôle?"
"Because I think you can play it," he replied.
I was dumbfounded. "Why, I am a comedian, and it looks to me as though
that part were made to order for Stoddard."
Cazauran shrugged his shoulders and, placing both hands on mine,
observed in a most impressive manner:
"Goodwin, you are a comedian and, I grant, a fine one. So was Garrick,
but no one remembers Garrick in comedy."
How true that was, and how often that expression has come back to me in
after life! They seldom remember those who make them laugh.
"You accept this part of the Baron," Cazauran continued, "give me three
hours of your time each day for three weeks and I will guarantee that
you will never play a comedy part again. I and the Baron will make you
famous."
I sincerely thanked him, but firmly declined to be made famous in that
particular line. We adjourned to his favorite restaurant, Solari's, in
University Place, where for three hours he endeavored to persuade me
to play the part. I was obdurate and would not listen to any of his
suggestions.
Public-domain text, read in full here on John Shaqi.
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