Nat Goodwin's BookGoodwin, Nat. C. (Nathaniel Carll)
General
Nat Goodwin's Book
Goodwin, Nat. C. (Nathaniel Carll)
Actors -- Correspondence
I was only a stripling when I married this beautiful creature. Moreover
I was unreliable and, I confess, unappreciative of what the fates had
been so kind as to bestow upon me. Many have accused me of "wanton
neglect." I may have neglected her, but only for the companionship of
men. She never complained and during the ten years of our happy married
life there was never one discordant note. She was ten years my senior
and treated me more like a son than a husband, but, like the truant boy
who runs away from school now and then, I was always glad to return and
seek the forgiveness that an indulgent mother always gives a wayward
child. Our own home near Boston was a little paradise. I was seldom
away from it and together we spent many, many happy hours, surrounded
by our little sisters and my friends--who were always her friends. She
was domesticated to a degree and never cared for the theatre. A loving
sister, a dutiful daughter, a loving wife, she is resting in Woodlawn
and the daisies grow over her grave.
We remained with the "Evangeline" aggregation during the summer of
1876. This engagement was interrupted by my accepting another to
appear at the Walnut Street Theatre in Philadelphia in conjunction
with the famous John Brougham. This only lasted for two weeks when I
rejoined Rice and continued with him until I was discharged for having
a fistic encounter with the stage manager who was always making things
particularly disagreeable for me. Eliza was offered an increase of
salary to remain, but she preferred casting her lot with me.
We packed up our parcels and went to New York in search of an
engagement. I succeeded in procuring an opening with Harrigan and Hart
at the Theatre Comique where I remained for several weeks. Tony Hart
and I were always like Damon and Pythias.
What a delightful character was Tony Hart!
"His face was a thanksgiving for his past life and a love letter to all
mankind."
About 1872 a bright-eyed Irish-American lad named Anthony Cannon came
over the theatrical horizon like a burst of sunshine and it took but
a few short years for him to establish himself in the hearts of the
American public. I met him about 1874, before I went on the stage, and
a friendship sprang up between us that terminated only when he was laid
to rest in the Worcester graveyard.
Public-domain text, read in full here on John Shaqi.
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