XL JOHN DREW 181 XLI THE RIVALS REVIVAL 182 XLII WILTON LACKAYE 185 XLIII "YOUNG" MANSFIELD 187 XLIV DAVID WARFIELD 190 XLV A DAY AT RENO 192 XLVI LILLIAN RUSSELL 197 XLVII DRAMATIC SCHOOLS 198 XLVIII NUMBER THREE (ALMOST) 201 XLIX THE CONFESSIONAL 207 L SAN FRANCISCO 211 LI ANTONY (?) AND CLEOPATRA 216 LII HONOLULU AND SAMOA 223 LIII PUBLICITY--ITS RESULTS 230 LIV IN THE LAND OF THE KANGAROO 233 LV WELCOME(!) HOME 240 LVI NUMBER THREE 243 LVII WHEN WE WERE TWENTY-ONE AND OTHER PLAYS 248 LVIII AT JACKWOOD 254 LIX "WHY DO BEAUTIFUL WOMEN MARRY NAT GOODWIN?" 262 LX BILLY THOMPSON 265 LXI THE CRITICS 266 LXII JAMES A. HEARNE 277 LXIII EDDIE FOY 279 LXIV WILLIAM GILLETTE 280 LXV WILLIAM BRADY, ESQ. 283 LXVI ROBERT FORD 284 LXVII MORE PLAYS 286 LXVIII WILLIE COLLIER 288 LXIX HENRY MILLER 290 LXX WHAT'S IN A NAME? 291 LXXI I TRY BEING A BUSINESS MAN 293 LXXII THE FIVE FATEFUL FISH CAKES AND NUMBER FOUR 302 LXXIII SIR BEERBOHM TREE 315 LXXIV THE ORIGIN OF THE STAGE 317 LXXV MY STAGE-STRUCK VALET 321 LXXVI GEORGE C. TYLER 324 LXXVII I FIND THE VERY BEST PHYLLIS 326 LXXVIII THE LAMBS CLUB 329 LXXIX I "COME BACK" 332 LXXX I GO BACK 334 LXXXI DAVID BELASCO 336 LXXXII "AUTHOR--AUTHOR" 337 LXXXIII MUSHROOM MANAGERS 341 LXXXIV "KEEP OFF THE GRASS" 345 LXXXV CALIFORNIA 350 LXXXVI I BECOME A BARNSTORMER 352