Nat Goodwin's BookGoodwin, Nat. C. (Nathaniel Carll)
General
Nat Goodwin's Book
Goodwin, Nat. C. (Nathaniel Carll)
Actors -- Correspondence
One bright morning in June, 1872, the Little Blue Academy of old
Farmington College, Maine, rang with the plaudits of an admiring
throng of visitors. Some of them had come in their capacious coaches,
lumbering and crushing their way through the streets of the usually
quiet village, while others in good old Puritan fashion had come
afoot and across fields and by-ways. Altogether the tumult was great
both without and within and the Puritan housewives, their quiet thus
sadly disturbed, devoutly offered up thanks that such affairs occurred
but once in a twelvemonth. But the clatter of contending Jehus and
vociferous villagers on the campus was nothing compared with the
resounding clash of palms and other noisy demonstrations of approval
within.
It was Commencement Day. Eager papas and mammas, sweet, admiring
misses and anxious friends were there that neither valedictorian,
salutatorian, orator nor poet might lack that proper sort of
encouragement, without which any affair of this nature must necessarily
be incomplete. They were to decide as well the winner of the prize in
elocution. Truly it was a day of mighty portent.
Many had spoken their parts and the rafters and roof had given back
the approving shouts in echoes almost as resounding as the words
themselves. At length my name was announced by our preceptor and worthy
master, Mr. Alden J. Blethen, the present manager and owner of the
Seattle "Times."
With some timidity, but tremendous eagerness, I mounted the improvised
rostrum and began my recitation of a poem called "The Uncle." As I
began my eyes seemed to be swimming back and forth in my head. I saw
nothing but birds floating into space. Then a death-like silence
ensued and images usurped the place of birds. They assumed forms and
through the mists came men and women and one by one they seemed to come
before my vision until the room was filled. I finished, I thought, in
a hush and was utterly oblivious to the great burst of applause which
greeted my efforts. My seat-mate, poor Charlie Thomas who in after
years was associated with Charles Hoyt, the writer and producer of
many successful farce comedies, grabbed me by the arm and hurled me
back upon the stage whispering, "Give them that 'Macbeth' speech!"
Mechanically I acted upon his suggestion and began the soliloquy. I
remembered nothing more until we left the hall. In fact I was in a
comatose state until summoned that evening by Mr. Blethen to come
into his library where, in the presence of the other scholars, I was
presented with a set of Shakespeare's Complete Works.
As I went to my room that night I began to dream of the life to come. I
saw myself startling the world as King Lear.
Two days after I received the first newspaper criticism of my work from
the Portland papers. The notices pleased me beyond words and brought
more joy to my young heart than any I ever received in after life. With
pardonable pride, I trust, I set one forth here:--
Public-domain text, read in full here on John Shaqi.
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