Nathan the Wise; a dramatic poem in five actsLessing, Gotthold Ephraim
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Nathan the Wise; a dramatic poem in five acts
Lessing, Gotthold Ephraim
German drama -- Translations into English
DAYA.
How could we?
NATHAN.
Not?
DAYA.
He came, he went, we know not whence, or whither.
Quite unacquainted with the house, unguided
But by his ear, he prest through smoke and flame,
His mantle spread before him, to the room
Whence pierced the shrieks for help; and we began
To think him lost—and her; when, all at once,
Bursting from flame and smoke, he stood before us,
She in his arm upheld. Cold and unmoved
By our loud warmth of thanks, he left his booty,
Struggled into the crowd, and disappeared.
NATHAN.
But not for ever, Daya, I would hope.
DAYA.
For some days after, underneath you palms,
That shade his grave who rose again from death,
We saw him wandering up and down. I went,
With transport went to thank him. I conjured,
Intreated him to visit once again
The dear sweet girl he saved, who longed to shed
At her preserver’s feet the grateful tear—
NATHAN.
Well?
DAYA.
But in vain. Deaf to our warmest prayers,
On me he flung such bitter mockery—
NATHAN.
That hence rebuffed—
DAYA.
Oh, no, oh, no, indeed not,
Daily I forced myself upon him, daily
Afresh encountered his dry taunting speeches.
Much I have borne, and would have borne much more:
But he of late forbears his lonely walk
Under the scattered palms, which stand about
Our holy sepulchre: nor have I learnt
Where he now is. You seem astonished—thoughtful—
NATHAN.
I was imagining what strange impressions
This conduct makes on such a mind as Recha’s.
Disdained by one whom she must feel compelled
To venerate and to esteem so highly.
At once attracted and repelled—the combat
Between her head and heart must yet endure,
Regret, Resentment, in unusual struggle.
Neither, perhaps, obtains the upper hand,
And busy fancy, meddling in the fray,
Weaves wild enthusiasms to her dazzled spirit,
Now clothing Passion in the garb of Reason,
And Reason now in Passion’s—do I err?
This last is Recha’s fate—Romantic notions—
DAYA.
Aye; but such pious, lovely, sweet, illusions.
NATHAN.
Illusions though.
DAYA.
Public-domain text, read in full here on John Shaqi.
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