American fiction -- 19th century; Short stories, American
Not every note of which Hawthorne's deep-toned instrument was capable is
exhibited in these eight tales, but they will serve, perhaps, to show
the nature of his magic. Certain characteristics of his art are
everywhere in evidence: simplicity of theme and treatment, absolute
clearness, verbal melody, with now and again a dusky splendor of
coloring. The touch of a few other men may be as perfect, the notes they
evoke more brilliant, certainly more gay, but Hawthorne's graver
harmonies linger in the ear and abide in the memory. It is only after
intimate acquaintance, however, that one perceives fully Hawthorne's
real scope, his power to convey an idea in its totality. His art is the
product of a rich personality, strong, self-contained, content to brood
long over its treasures. It is seldom in the history of literature--and
quite without parallel in American letters--that a nature so perfectly
dowered should attain to such perfect self-expression. Here lies his
supreme fortune as an artist. He was permitted to give adequate
expression to a rare and beautiful genius, and for thousands of his
countrymen life has been touched to finer issues because Hawthorne
followed his boyish bent and became a writer of fiction.
BLISS PERRY.
CONTENTS
PAGE
Editor's Introduction V
Dr. Heidegger's Experiment 1
The Birthmark 21
Ethan Brand 53
Wakefield 83
Drowne's Wooden Image 101
The Ambitious Guest 125
The Great Stone Face 141
The Gray Champion 177
Dr. Heidegger's Experiment
Public-domain text, read in full here on John Shaqi.
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