American fiction -- 19th century; Short stories, American
The carver, still in the same secrecy that marked all his operations
upon this mysterious image, proceeded to paint the habiliments in their
proper colors, and the countenance with nature's red and white. When all
was finished he threw open his workshop, and admitted the towns-people
to behold what he had done. Most persons, at their first entrance, felt
impelled to remove their hats, and pay such reverence as was due to the
richly dressed and beautiful young lady who seemed to stand in a corner
of the room, with oaken chips and shavings scattered at her feet. Then
came a sensation of fear; as if, not being actually human, yet so like
humanity, she must therefore be something preternatural. There was, in
truth, an indefinable air and expression that might reasonably induce
the query, Who and from what sphere this daughter of the oak should be?
The strange, rich flowers of Eden on her head; the complexion, so much
deeper and more brilliant than those of our native beauties; the
foreign, as it seemed, and fantastic garb, yet not too fantastic to be
worn decorously in the street; the delicately wrought embroidery of the
skirt; the broad gold chain about her neck; the curious ring upon her
finger; the fan, so exquisitely sculptured in open-work, and painted to
resemble pearl and ebony;--where could Drowne, in his sober walk of
life, have beheld the vision here so matchlessly embodied! And then her
face! In the dark eyes and around the voluptuous mouth there played a
look made up of pride, coquetry, and a gleam of mirthfulness, which
impressed Copley with the idea that the image was secretly enjoying the
perplexing admiration of himself and other beholders.
"And will you," said he to the carver, "permit this masterpiece to
become the figure-head of a vessel? Give the honest captain yonder
figure of Britannia,--it will answer his purpose far better,--and send
this fairy queen to England, where, for aught I know, it may bring you a
thousand pounds."
"I have not wrought it for money," said Drowne.
"What sort of a fellow is this!" thought Copley. "A Yankee, and throw
away the chance of making his fortune! He has gone mad; and thence has
come this gleam of genius."
There was still further proof of Drowne's lunacy, if credit were due to
the rumor that he had been seen kneeling at the feet of the oaken lady,
and gazing with a lover's passionate ardor into the face that his own
hands had created. The bigots of the day hinted that it would be no
matter of surprise if an evil spirit were allowed to enter this
beautiful form and seduce the carver to destruction.
Public-domain text, read in full here on John Shaqi.
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