American fiction -- 19th century; Short stories, American
Arriving at Drowne's door, while the captain threw it open, the
marvellous apparition paused an instant on the threshold, assuming the
very attitude of the image, and casting over the crowd that glance of
sunny coquetry which all remembered on the face of the oaken lady. She
and her cavalier then disappeared.
"Ah!" murmured the crowd, drawing a deep breath, as with one vast pair
of lungs.
"The world looks darker now that she has vanished," said some of the
young men.
But the aged, whose recollections dated as far back as witch times,
shook their heads, and hinted that our forefathers would have thought it
a pious deed to burn the daughter of the oak with fire.
"If she be other than a bubble of the elements," exclaimed Copley, "I
must look upon her face again."
He accordingly entered the shop; and there, in her usual corner, stood
the image, gazing at him, as it might seem, with the very same
expression of mirthful mischief that had been the farewell look of the
apparition when, but a moment before, she turned her face towards the
crowd. The carver stood beside his creation, mending the beautiful fan,
which by some accident was broken in her hand. But there was no longer
any motion in the life-like image, nor any real woman in the workshop,
nor even the witchcraft of a sunny shadow, that might have deluded
people's eyes as it flitted along the street. Captain Hunnewell, too,
had vanished. His hoarse, sea-breezy tones, however, were audible on the
other side of a door that opened upon the water.
"Sit down in the stern sheets, my lady," said the gallant captain.
"Come, bear a hand, you lubbers, and set us on board in the turning of a
minute-glass."
And then was heard the stroke of oars.
"Drowne," said Copley, with a smile of intelligence, "you have been a
truly fortunate man. What painter or statuary ever had such a subject!
No wonder that she inspired a genius into you, and first created the
artist who afterwards created her image."
Drowne looked at him with a visage that bore the traces of tears, but
from which the light of imagination and sensibility, so recently
illuminating it, had departed. He was again the mechanical carver that
he had been known to be all his lifetime.
"I hardly understand what you mean, Mr. Copley," said he, putting his
hand to his brow. "This image! Can it have been my work? Well, I have
wrought it in a kind of dream; and now that I am broad awake I must set
about finishing yonder figure of Admiral Vernon."
Public-domain text, read in full here on John Shaqi.
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