Except in the stories of Edgeworth and Scott, whose talent knew how to give to the book a thousand adventitious graces, the novels of costume are all one, and there is but one standard English novel, like the one orthodox sermon, which with slight variation is repeated every Sunday from so many pulpits. But the other novel, of which “Wilhelm Meister” is the best specimen, the novel of _character_, treats the reader with more respect; the development of character being the problem, the reader is made a partaker of the whole prosperity. Everything good in such a story remains with the reader when the book is closed. A noble book was “Wilhelm Meister.” It gave the hint of a cultivated society which we found nowhere else. It was founded on power to do what was necessary, each person finding it an indispensable qualification of membership that he could do something useful, as in mechanics or agriculture or other indispensable art; then a probity, a justice was to be its element, symbolized by the insisting that each property should be cleared of privilege, and should pay its full tax to the state. Then a perception of beauty was the equally indispensable element of the association, by which each was dignified and all were dignified; then each was to obey his genius to the length of abandonment. They watched each candidate vigilantly, without his knowing that he was observed, and when he had given proof that he was a faithful man, then all doors, all houses, all relations were open to him; high behavior fraternized with high behavior, without question of heraldry, and the only power recognized is the force of character.