Natural history of intellect, and other papersEmerson, Ralph Waldo
Philosophy
Natural history of intellect, and other papers
Emerson, Ralph Waldo
American essays -- 19th century; Boston (Mass.); Intellect; Memory; Michelangelo Buonarroti, 1475-1564; Milton, John, 1608-1674
Goethe, then, must be set down as the poet of the Actual, not of the
Ideal; the poet of limitation, not of possibility; of this world,
and not of religion and hope; in short, if we may say so, the poet
of prose, and not of poetry. He accepts the base doctrine of Fate,
and gleans what straggling joys may yet remain out of its ban. He is
like a banker or a weaver with a passion for the country; he steals
out of the hot streets before sunrise, or after sunset, or on a rare
holiday, to get a draft of sweet air and a gaze at the magnificence
of summer, but dares not break from his slavery and lead a man’s life
in a man’s relation to nature. In that which should be his own place,
he feels like a truant, and is scourged back presently to his task
and his cell. Poetry is with Goethe thus external, the gilding of the
chain, the mitigation of his fate; but the Muse never assays those
thunder-tones which cause to vibrate the sun and the moon, which
dissipate by dreadful melody all this iron network of circumstance,
and abolish the old heavens and the old earth before the freewill or
Godhead of man. That Goethe had not a moral perception proportionate
to his other powers, is not then merely a circumstance, as we might
relate of a man that he had or had not the sense of tune or an eye
for colors, but it is the cardinal fact of health or disease; since,
lacking this, he failed in the high sense to be a creator, and, with
divine endowments, drops by irreversible decree into the common
history of genius. He was content to fall into the track of vulgar
poets and spend on common aims his splendid endowments, and has
declined the office proffered to now and then a man in many centuries
in the power of his genius, of a Redeemer of the human mind. He has
written better than other poets only as his talent was subtler, but
the ambition of creation he refused. Life for him is prettier,
easier, wiser, decenter, has a gem or two more on its robe, but its
old eternal burden is not relieved; no drop of healthier blood flows
yet in its veins. Let him pass. Humanity must wait for its physician
still at the side of the road, and confess as this man goes out, that
they have served it better who assured it out of the innocent hope in
their hearts that a Physician will come, than this majestic Artist,
with all the treasuries of wit, of science, and of power at his
command.
Public-domain text, read in full here on John Shaqi.
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