Natural history of intellect, and other papersEmerson, Ralph Waldo
Philosophy
Natural history of intellect, and other papers
Emerson, Ralph Waldo
American essays -- 19th century; Boston (Mass.); Intellect; Memory; Michelangelo Buonarroti, 1475-1564; Milton, John, 1608-1674
The criticism, which is not so much spoken as felt in reference to
Goethe, instructs us directly in the hope of literature. We feel
that a man gifted like him should not leave the world as he found
it. It is true, though somewhat sad, that every fine genius teaches
us how to blame himself. Being so much, we cannot forgive him for
not being more. When one of these grand monads is incarnated whom
nature seems to design for eternal men and draw to her bosom, we
think that the old weariness of Europe and Asia, the trivial forms
of daily life will now end, and a new morning break on us all. What
is Austria? What is England? What is our graduated and petrified
social scale of ranks and employments? Shall not a poet redeem us
from these idolatries, and pale their legendary lustre before the
fires of the Divine Wisdom which burn in his heart? All that in our
sovereign moments each of us has divined of the powers of thought,
all the hints of omnipresence and energy which we have caught, this
man should unfold, and constitute facts.
And this is the insatiable craving which alternately saddens and
gladdens men at this day. The Doctrine of the Life of Man established
after the truth through all his faculties;—this is the thought which
the literature of this hour meditates and labors to say. This is that
which tunes the tongue and fires the eye and sits in the silence of
the youth. Verily it will not long want articulate and melodious
expression. There is nothing in the heart but comes presently to the
lips. The very depth of the sentiment, which is the author of all the
cutaneous life we see, is guarantee for the riches of science and
of song in the age to come. He who doubts whether this age or this
country can yield any contribution to the literature of the world,
only betrays his own blindness to the necessities of the human soul.
Has the power of poetry ceased, or the need? Have the eyes ceased to
see that which they would have, and which they have not? Have they
ceased to see other eyes? Are there no lonely, anxious, wondering
children, who must tell their tale? Are we not evermore whipped by
thoughts;
“In sorrow steeped, and steeped in love
Of thoughts not yet incarnated.”
The heart beats in this age as of old, and the passions are busy as
ever. Nature has not lost one ringlet of her beauty, one impulse of
resistance and valor. From the necessity of loving none are exempt,
and he that loves must utter his desires. A charm as radiant as
beauty ever beamed, a love that fainteth at the sight of its object,
is new to-day.
“The world does not run smoother than of old,
There are sad haps that must be told.”
Public-domain text, read in full here on John Shaqi.
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