Nature and the Gods: From "The Atheistic Platform", Twelve LecturesMoss, Arthur B.
Religion
Nature and the Gods: From "The Atheistic Platform", Twelve Lectures
Moss, Arthur B.
Free thought
When it is said that there must be a "first cause" to account for the
existence of Nature, such language, to say the least, shows a total
misapprehension of the meaning of the word "cause," as used by
scientific men. "First cause," as applied to Nature as a whole,
remembering the definition I have given, is an absurdity. Cause
and effect apply only to phenomena. Each effect is a cause of some
subsequent effect, and each cause is an effect of some antecedent
cause. The phenomena of the universe form a complete chain of causes and
effects, and in an infinite regression there can be no first cause.
Let me explain what I mean more fully. For instance, here is a chain;
suppose it is to form a perfect circle, every link in which is perfect;
now if you were to go round and round this chain from now to doomsday
you would never come to the first link. It is the same in Nature. You
can go back, and back, and back through successive causes and effects,
but you will never come to a "first cause"; you will not be able to say
"here is the end of Nature, and here the beginning of something else."
There is no brick wall to mark the boundary line of Nature. You
cannot "look through Nature up to Nature's God,"--the poet Pope
notwithstanding--for Nature seems endless, and you can neither penetrate
her heights nor fathom her depths. And I have one other word to say in
reference to this _à priori_ method, before finally disposing of it. It
is this, that it is an altogether unscientific method. Man knows nothing
whatever of cause except in the sense' that in the immediate antecedent
of an effect. Man's experience is of effects; these he takes cognisance
of; of these he has some knowledge, but of cause, except as a means to
an end, he has none. But this brings me to the second mode of reasoning
in proof of God's existence, the _à posteriori_ and this has one
advantage in its favor, and that is, that it is a scientific method. It
reasons from known effects up to the supposed causes of them. Now this
generally assumes the form, no matter under what guise, of the famous
"design argument." Dr. Paley stated it many years ago, and it has not
been much improved since his day. It is generally stated in this
way: "The world exhibits marks of design; that design must have had a
designer; that designer must be a person; that person is God." A number
of illustrations are then brought forward to support this contention.
For instance, it is argued that when a man observes a watch or a
telescope, or any article that has been made to answer a certain
purpose, and the mechanism of which is so adjusted as to effect the
desired object, it is said that from the marks of design or contrivance
observed in the mechanism, he infers that these articles are the
products of some human designer. And so it is said that when we look
around the world and see how beautifully things are designed, the eye
to see, the ear to hear; how admirably things are adapted the one to
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account