A clouded sky dulls the herbage, a cloudless heaven brightens it, so that the grass almost reflects the firmament like water. At sunset the rosy rays bring out every tint of red or purple. At noonday, watch as alternate shadow and sunshine come one after the other as the clouds are wafted over. By moonlight perhaps the white ox-eyed daisies show the most. But never will you find the mowing grass in the same field looking twice alike. Come again the day after to-morrow only, and there is a change; some of the grass is riper, some is thicker, with further blades which have pushed up, some browner. Cold northern winds cause it to wear a dry, withered aspect; under warm showers it visibly opens itself; in a hurricane it tosses itself wildly to and fro; it laughs under the sunshine. There are thick bunches by the footpath, which hang over and brush the feet. While approaching there seems nothing there except grass, but in the act of passing, and thus looking straight down into them, there are blue eyes at the bottom gazing up. These specks of blue sky hidden in the grass tempt the hand to gather them, but then you cannot gather the whole field. Behind the bunches where the grass is thinner are the heads of purple clover; pluck one of these, and while meditating draw forth petal after petal and imbibe the honey with the lips till nothing remains but the green framework, like stolen jewellery from which the gems have been taken. Torn pink ragged robins through whose petals a comb seems to have been remorselessly dragged, blue scabious, red knapweeds, yellow rattles, yellow vetchings by the hedge, white flowering parsley, white campions, yellow tormentil, golden buttercups, white cuckoo-flowers, dandelions, yarrow, and so on, all carelessly sown broadcast without order or method, just as negligently as they are named here, first remembered, first mentioned, and many forgotten. Highest and coarsest of texture, the red-tipped sorrel--a crumbling red--so thick and plentiful that at sunset the whole mead becomes reddened. If these were in any way set in order or design, howsoever entangled, the eye might, as it were, get at them for reproduction. But just where there should be flowers there are none, whilst in odd places where there are none required there are plenty. In hollows, out of sight till stumbled on, is a mass of colour; on the higher foreground only a dull brownish green. Walk all round the meadow, and still no vantage point can be found where the herbage groups itself, whence a scheme of colour is perceivable. There is no "artistic" arrangement anywhere.