Country life -- England; Natural history -- Outdoor books; Nature study
The skiff drifts again, at first slowly, till the current takes hold of
it and bears it onward. Soon it is evident that a barge-port is near--a
haven where barges discharge their cargoes. A by-way leads down to the
river where boats are lying for hire--a dozen narrow punts, waiting at
this anchorage till groundbait be lawful. The ends of varnished skiffs,
high and dry, are visible in a shed carefully covered with canvas; while
sheaves of oars and sculls lean against the wooden wall.
Through the open doors of another shed there may be had a glimpse of
shavings and tools, and slight battens crossing the workshop in apparent
confusion, forming a curious framework. These are the boatbuilder's
struts and stays, and contrivances to keep the boat in rigid position,
that her lines may be true and delicate, strake upon strake of dull red
mahogany rising from the beechen keel, for the craftsman strings his
boat almost as a violinist strings his violin, with the greatest care
and heed, and with a right adjustment of curve and due proportion. There
is not much clinking, or sawing, or thumping; little noise, but much
skill.
Gradually the scene opens. Far down a white bridge spans the river: on
the shore red-tiled and gabled houses crowd to the very edge; and behind
them a church tower stands out clear against the sky. There are barges
everywhere. By the towing-path colliers are waiting to be drawn up
stream, black as their freight, by the horses that are nibbling the
hawthorn hedge; while by the wharf, labourers are wheeling barrows over
bending planks from the barges to the carts upon the shore. A tug comes
under the bridge, panting, every puff re-echoed from the arches,
dragging by sheer force deeply laden flats behind it. The water in front
of their bluff bows rises in a wave nearly to the deck, and then swoops
in a sweeping curve to the rear.
The current by the port runs back on the wharf side towards its source,
and the foam drifts up the river instead of down. Green flags on a
sandbank far out in the stream, their roots covered and their bent tips
only visible, now swing with the water and now heel over with the
breeze. The _Edwin and Angelina_ lies at anchor, waiting to be warped
into her berth, her sails furled, her green painted water-barrel lashed
by the stern, her tiller idle after the long and toilsome voyage from
Rochester.
For there are perils of the deep even to those who only go down to it in
barges. Barge as she is, she is not without a certain beauty, and a
certain interest, inseparable from all that has received the buffet of
the salt water, and over which the salt spray has flown. Barge too, as
she is, she bears her part in the commerce of the world. The very
architecture on the shore is old-fashioned where these bluff-bowed
vessels come, narrow streets and overhanging houses, boat anchors in the
windows, sails and tarry ropes; and is there not a Row Barge Inn
somewhere?
"Hoy, ahoy!"
Public-domain text, read in full here on John Shaqi.
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