Poets of all ages have given the song of the Nightingale a great deal
of attention, but how strangely they have gone astray in regard to the
bird’s habits! It appears to have appealed to most of them on account
of its practice of singing by night, and the touch of melancholy in the
three or four lengthened notes that commence softly and gradually rise
until they are so loud and strong that they may be heard at a great
distance. Curiously enough, they made the mistake of thinking that
their Philomel only sang by night, and was the solitary bird that did
so.
Even our immortal William of Avon says:
“The Nightingale, if he should sing by day
When every goose is cackling would be thought
No better a musician than the Wren.”
The fact that the bird sings by day as well as by night was known,
however, to the ancients, because Virgil mentions it. Readers of this
little volume will also gather that other feathered musicians, such as
the Sedge and Grasshopper Warblers, Woodlark, and Cuckoo, also sing by
night.
Individual members of this species differ in the quality of their
notes, as was observed as far back as Pliny’s time.
The alarm note sounds like _wate, wate_, _cur, cur_, or _witt, krr_.
[Illustration: woodland scene]
=THE LESSER WHITETHROAT.=
[Illustration: flowers with butterfly]
The Lesser Whitethroat arrives in April and leaves again in September.
It is far less numerous than its larger relative, and is not so widely
distributed over the British Islands. This bird is most plentiful in
the South and East of England, becoming scarcer towards the North
and West, rare in Scotland, and absent altogether from Ireland as a
breeding species.
It measures just over five inches in length, and has the upper parts
greyish-brown, wings and tail dusky, the feathers being edged with
greyish-brown instead of chestnut, which distinguishes it from the
Greater Whitethroat. The under parts are greyish-white.
This species loves high, thick hedges rather than large woods, and
builds its nest, which is a slight and flimsy structure made of dead
grass, stalks, and lined with horsehair, in hedges, briar, bramble,
gorse, and other bushes.
[Illustration: LESSER WHITETHROAT’S NEST AND EGGS.]
The eggs, four or five in number, are white or light creamy white, with
the faintest suggestion of green in ground colour, spotted and speckled
with ash-grey and greenish-brown.
[Illustration: LESSER WHITETHROAT FEEDING YOUNG.]
The Lesser Whitethroat is inferior to the Greater as a musician, but
makes up for its deficiency in quality by its liberality in regard to
quantity, for it sings almost incessantly, especially during sultry
weather, and keeps on until very late in the summer. Its notes are
without variation, hurriedly delivered, and sound like _sip, sip, sip_.
The bird’s call notes have been likened to the words _check, check_.
[Illustration: landscape with pastures]
=THE SISKIN.=
[Illustration: fir branch]
Public-domain text, read in full here on John Shaqi.
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