The song of this species somewhat resembles that of the Sedge Warbler
in being full of chatter, but is not so loud or harsh, and is
delivered, as a rule, whilst the singer is hiding amongst reeds. It
imitates the note of the Starling, Wagtail, Swallow, and other birds,
but is vastly inferior to the Marsh Warbler both as a musician and a
mimic. I have heard it at its best during a calm summer evening on the
Norfolk Broads, where it sings far into the night and early in the
morning, excepting during windy weather, which seems to be greatly
disliked by all feathered inhabitants of reed beds. The following
extracts from one of my old diaries kept during a stay on Hickling
Broad illustrate rather graphically the influence of wind upon the
vocal activities of birds:
May 27.--“Windy, dark night; not a bird of any kind to
be heard.” May 28.--“Fine calm night. Reed, Sedge, and
Grasshopper Warblers, Snipe, Water Rail, Coot, Moorhen,
Peewit, and other birds all singing and calling until one
o’clock in the morning.”
The song of the Reed Warbler has been represented as _tiri, tier zach
zerr, scherk heid tret_ by one authority, and as _tiri yach yerr
sherk heid tret_ by another. Each note is repeated by the singer
a number of times. Its call note is a harsh _turr_ or _choh,
choh_.
[Illustration: marshlands]
=THE ROCK PIPIT.=
[Illustration: landscape with rocks]
The Rock Pipit, although subject to some seasonal movement, is a
resident in the British Islands, and I have never yet heard its song or
seen its nest away from the sound of the restless sea. In fact, it is
the only song bird the ocean can boast, for although such species as
Skylarks, Twites, Starlings, and Linnets frequently breed close by the
sea, their haunts are by no means confined to its shores as is the case
with the bird under notice.
The Rock Pipit is the largest of the three members of its family
breeding in this country. It is olive-brown above, marked with dark
streaks in the centres of the feathers; has a dull white throat and
under parts, the latter streaked and clouded with dark brown. The bird
harmonises well with the dull brown rocks upon which it so often sits,
and I have often experienced considerable difficulty in detecting it
when it kept quite still whilst uttering its call notes.
This species may always be distinguished with absolute certainty from
the Tree and Meadow Pipits when it is on the wing by reason of the fact
that it shows no white on either side of its tail.
The Rock Pipit breeds nearly all round our coasts excepting between the
Humber and the Thames, and loves small islands, such as those behind
which the sun is setting in the tailpiece to this article.
Its song is very similar to that of the Meadow Pipit, and consists of a
few short simple tinkling notes delivered with great cheerfulness, both
upon the wing and whilst the bird is seated on some favourite rock. The
call notes are also much like those of the Meadow Pipit.
Public-domain text, read in full here on John Shaqi.
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